Published Poems

‘Stille (Nach Thomas Hood)’.
SIX, (1955; [an unofficial production undertaken by members of the Sixth Form of St. Dunstan’s College, Catford]): 11. [This poem is a German translation by J.H. Prynne of Thomas Hood’s ‘Silence’].

‘Force of Circumstance’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 1.

‘Perspective from a Chalk Pit’.
Mica, 2 (February 1961): 23.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 2.

‘Before Urbino’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 3.
– Ian Brinton, ‘Prynne in Prospect’. Salt Magazine, 3 (2009), online at http://pandora.nla.gov.au/pan/93590/20130104-0809/saltmagazine/issues/03/text/Brinton_Ian.htm [approx. pp. 25].

‘Or Would Like to Think’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 4.

‘Littoral’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 5.

‘Connoisseur at Noonday’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 6.

‘Singing at Last’.
Prospect, 5 (Winter 1961): 20.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 7.

‘To Petrarch, on Mount Ventoux’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 8.

‘Without Breaking the Thread’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 8.

‘To Contradict the Weather’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 9.

‘Surface Measures’.
Mica, 4 (Fall 1961): 30.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 10.

‘And Afterwards’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 11.

‘Insurrection’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 12.

‘The Whetstone’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 13.

‘Quittance’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 14.

‘Other Dimensions’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 14.

‘With Pearls for Eyes’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 15.

‘Early Yesterday Morning’.
Satis, 5 (Spring/Summer 1962): 14.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 16.

‘Given, to Both’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 17.

‘Responsibilities’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 18.

‘Le Verger Ardent’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 19.

‘Not Kite-flying Weather’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 20.

‘Landfall’.
Lyrische Hefte, Vol. 1 No. 10 (November 1961): 19. [This poem is the sole English contribution to a German-language journal].
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 21.

‘For Someone Else’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 22.

‘Getting One’s Bearings’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 23.

‘Fisherman in August’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 24.

‘Mining for Flint’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 25.

‘Quasi al Tocco’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 26.

‘But Will Not Scatter’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 27.

‘Towards September’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 28.

‘Passing the Primary School’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 29.

‘Ad Parnassum’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 30.

‘Even in Broad Daylight’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 31.

‘Along Almost Any River’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 32.
The River’s Voice: An Anthology of Poetry, eds. Angela King and Susan Clifford for Common Ground [nonprofit organisation]. White River Junction, Vermont: Chelsea Green Publishing Company, 2000: 22–23.

‘Return Journey’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 33.

‘Home Grown’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 34.

‘Balkan Music’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 35.

‘Damp’.
Mica, 2 (February 1961): 22.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 36.

‘In Praise’.
Satis, 5 (Spring/Summer 1962): 14–15.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 37.

‘Genius Loci’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 38.

‘Over Here’.
Prospect, 5 (Winter 1961): 19.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 39.
– Ian Brinton, ‘Prynne in Prospect’. Salt Magazine, 3 (2009), online at http://pandora.nla.gov.au/pan/93590/20130104-0809/saltmagazine/issues/03/text/Brinton_Ian.htm [approx. pp. 25].

‘Resins from Smoke’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 40.

‘Misfortunes or Ideas’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 41.

‘Snow is Expected’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 42.

‘Times Trans-shifting: for Robert Herrick’.
Prospect, 4 (Winter 1960): 14. [Robert Herrick, ‘Upon Julia’s Voice’, is printed on the facing page].
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 43.

‘The Hazel Tree’.
Tomorrow, 4 (1960): 15.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 44.

‘From an Eminence’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 45.

‘Ploughing’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 46.

‘An Owl in the Garden’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 47.

‘Street Plan’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 48.

‘Quite Certain’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 49.

‘Nasturtiums’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 50.

‘Without Fire’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 51.

‘The Recoil’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 52.

‘Horizon’.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 53.

‘Until Later On’.
Mica, 4 (Fall 1961): 31.
Force of Circumstance and Other Poems. London: Routledge and Kegan Paul, 1962: 54.

‘Swifts’.
The Caian, Vol. 57, No. 2 (Lent 1963): 12.

‘Salt Water, Fresh Water’.
Prospect, 6 (Spring 1964): 34.
– Ian Brinton, ‘Prynne in Prospect’. Salt Magazine, 3 (2009), online at http://pandora.nla.gov.au/pan/93590/20130104-0809/saltmagazine/issues/03/text/Brinton_Ian.htm [approx. pp. 25].

Guido Cavalcanti, ‘Chi É’. Translated by J.H. Prynne.
Prospect, 6 (Spring 1964): 35.

‘At the Dark Centre’.
Prospect, 6 (Spring 1964): 36.

‘Lie of the Other Land’.
Prospect, 6 (Spring 1964): 36–37.

‘Axle Fish’.
Cambridge Opinion, 41 (1965: ‘Carlos Williams in England’; ed. Martin Wright): 29.

‘Song for the Rotation of the Earth’.
Cambridge Opinion, 41 (1965: ‘Carlos Williams in England’; ed. Martin Wright): 29.

‘Time to Go’.
The English Intelligencer, 2nd ser., 8 (c. July 1967): 403–404.

Chiang K’uei, ‘Rainbow-Skirt’. Translated by J.H. Prynne.
Collection One (March 1968; ed. Peter Riley): 43–44.

‘The Numbers’.
The English Intelligencer, 1st ser., 3 (c. March 1966): 25–26.
Kitchen Poems. London: Cape Goliard Press, 1968; New York: Grossman Publishers Inc., 1968: [n.p.] [pp. 3].
Poèmes de cuisine. [French translation of Kitchen Poems, by B. Dubourg and J.H. Prynne] Damazan (Lot-et-Garonne): privately printed, 1975: [n.p.] [pp. 6].
Poems. Edinburgh and London: Agneau 2, 1982: 10–12.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 10–12.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 10–12.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 10–12.
Poèmes de cuisine. [unaltered reprint of the 1975 French translation of Kitchen Poems, by Bernard Dubourg and J.H. Prynne] Marseille: Éric Pesty Éditeur, 2019: 9–12.

‘Die a Millionaire’.
The English Intelligencer, 1st ser., 7 (c. June 1966): 71–73.
Kitchen Poems. London: Cape Goliard Press, 1968; New York: Grossman Publishers Inc., 1968: [n.p.] [pp. 4].
Poèmes de cuisine. [French translation of Kitchen Poems, by B. Dubourg and J.H. Prynne] Damazan (Lot-et-Garonne): privately printed, 1975: [n.p.] [pp. 11].
Padma, 1 (c. 1981: ‘Matrix Issue’; ed. Donald Powell, Pocatello, Idaho): 81–84.
Poems. Edinburgh and London: Agneau 2, 1982: 13–17.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 13–16.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 13–16.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 13–16.
Poèmes de cuisine. [unaltered reprint of the 1975 French translation of Kitchen Poems, by Bernard Dubourg and J.H. Prynne] Marseille: Éric Pesty Éditeur, 2019: 15–20.

‘Numbers in Time of Trouble’.
The English Intelligencer, 1st ser., 7 (c. June 1966): 74–75.
Kitchen Poems. London: Cape Goliard Press, 1968; New York: Grossman Publishers Inc., 1968: [n.p.] [pp. 2].
Poèmes de cuisine. [French translation of Kitchen Poems, by B. Dubourg and J.H. Prynne] Damazan (Lot-et-Garonne): privately printed, 1975: [n.p.] [pp. 6].
Poems. Edinburgh and London: Agneau 2, 1982: 17–19.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 17–18.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 17–18.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 17–18.
Poèmes de cuisine. [unaltered reprint of the 1975 French translation of Kitchen Poems, by Bernard Dubourg and J.H. Prynne] Marseille: Éric Pesty Éditeur, 2019: 23–25.

‘Sketch for a Financial Theory of the Self’.
The English Intelligencer, 1st ser., 14 (March 1967): 231–32.
Kitchen Poems. London: Cape Goliard Press, 1968; New York: Grossman Publishers Inc., 1968: [n.p.] [pp. 2].
Poèmes de cuisine. [French translation of Kitchen Poems, by B. Dubourg and J.H. Prynne] Damazan (Lot-et-Garonne): privately printed, 1975: [n.p.] [pp. 5].
Poems. Edinburgh and London: Agneau 2, 1982: 19–21.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 233–34.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 19–20.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 19–20.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 19–20.
Poèmes de cuisine. [unaltered reprint of the 1975 French translation of Kitchen Poems, by Bernard Dubourg and J.H. Prynne] Marseille: Éric Pesty Éditeur, 2019: 29–31.

‘A Gold Ring Called Reluctance’.
The English Intelligencer, 1st ser., 10 (November 1966): 141–43.
Kitchen Poems. London: Cape Goliard Press, 1968; New York: Grossman Publishers Inc., 1968: [n.p.] [pp. 3].
Poèmes de cuisine. [French translation of Kitchen Poems, by B. Dubourg and J.H. Prynne] Damazan (Lot-et-Garonne): privately printed, 1975: [n.p.] [pp. 8].
Poems. Edinburgh and London: Agneau 2, 1982: 21–24.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 21–23.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 21–23.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 21–23.
Poèmes de cuisine. [unaltered reprint of the 1975 French translation of Kitchen Poems, by Bernard Dubourg and J.H. Prynne] Marseille: Éric Pesty Éditeur, 2019: 33–36.

Day  Light  Songs.
Day  Light  Songs. Pampisford, Cambridgeshire and Cheltenham, Gloucestershire: R. Books, July 1968 [composed 15th June 1968]. [n.p.] [poem in 11 one-page sections].
Chansons à la journée-lumière. [French translation of Day  Light  Songs, by B. Dubourg] Damazan (Lot-et-Garonne): privately printed, 1975. [n.p.].
Poems. Edinburgh and London: Agneau 2, 1982: 25–31.
Sand og Kobber. [Norwegian translation of selected poems, by Torleiv Grue] Oslo: Forlaget Oktober, 1989: 9–21.
– excerpts, [poems 1, 2, 3, 5, 9, 10 and 11] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 26, 27 top, 28 top, 30, 31), published in Italian translation (bilingual edition) by Franco Buffoni in Almanacco dello Specchio, 13 (1989): 272–77 [The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Salt, 9 (1996; ed. John Kinsella, South Fremantle, Western Australia): 111–13 [reprints Chansons à la journeé-lumière, the French translation by Bernard Dubourg].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 25–31.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 25–31.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 239–44.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 2–11.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 25–31.
The White Stones. New York: New York Review of Books, 2016: 115–22.

‘Voll Verdienst’.
– excerpts, [the first five stanzas and the last] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 34, 35 top, 36 bottom), published in The English Intelligencer, 3rd ser., 4 (February 1968): [n.p.] [1].
Poems. Edinburgh and London: Agneau 2, 1982: 33–36.
Sand og Kobber. [Norwegian translation of selected poems, by Torleiv Grue] Oslo: Forlaget Oktober, 1989: 23–29.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 33–36.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 33–36.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 33–36.

‘Airport Poem: Ethics of Survival’.
The Wivenhoe Park Review, 1 (Winter 1965): 42.
The White Stones. Lincoln: Grosseteste Press, 1969: 11.
Poems. Edinburgh and London: Agneau 2, 1982: 38–39.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 38.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 38.
Años diez, revisita de poesía, No. 0 (May 2014; ed. Juan Carlos Reche, Madrid and Granada, Spain): 12–13 [in Spanish], 129 [in English]. [Spanish translation by Mario Jurado. The full section, ‘5 Poemas’, featuring a biographical note on Prynne and translations of Prynne’s poetry by Mario Jurado, is pp. 7–22, with the original English texts on pp. 128–34].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 38.
The White Stones. New York: New York Review of Books, 2016: 3–4.
Il Capolinea online, (8 December 2016): online at http://ilcapolineaonline.it/2016/12/08/airport-poem-ethic-survival/ [Italian translation (bilingual edition) by Giorgio Tranchida].

‘A Figure of Mercy, of Speech’.
The Wivenhoe Park Review, 1 (Winter 1965): 40.
The White Stones. Lincoln: Grosseteste Press, 1969: 12.
Poems. Edinburgh and London: Agneau 2, 1982: 39.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 39.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 39.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 39.
The White Stones. New York: New York Review of Books, 2016: 5.

‘The Stranger, Instantly’.
The Wivenhoe Park Review, 1 (Winter 1965): 43.
The White Stones. Lincoln: Grosseteste Press, 1969: 13.
Poems. Edinburgh and London: Agneau 2, 1982: 40.
Almanacco dello Specchio, 13 (1989): 276–79 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 40.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 40.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 40.
The White Stones. New York: New York Review of Books, 2016: 6.

‘Living in History’.
The Wivenhoe Park Review, 1 (Winter 1965): 41.
The White Stones. Lincoln: Grosseteste Press, 1969: 14.
Poems. Edinburgh and London: Agneau 2, 1982: 41.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 41.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 41.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 41.
The White Stones. New York: New York Review of Books, 2016: 7.

‘On the Anvil’.
The Wivenhoe Park Review, 1 (Winter 1965): 44.
The White Stones. Lincoln: Grosseteste Press, 1969: 15.
Poems. Edinburgh and London: Agneau 2, 1982: 42.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 42.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 42.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 42.
The White Stones. New York: New York Review of Books, 2016: 8.

‘The Holy City’.
The Wivenhoe Park Review, 1 (Winter 1965): 45.
The White Stones. Lincoln: Grosseteste Press, 1969: 16.
Poems. Edinburgh and London: Agneau 2, 1982: 43.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 43.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 43.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 43.
The White Stones. New York: New York Review of Books, 2016: 9.

‘How It’s Done’.
The Wivenhoe Park Review, 1 (Winter 1965): 46.
The White Stones. Lincoln: Grosseteste Press, 1969: 17.
Poems. Edinburgh and London: Agneau 2, 1982: 44.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 44.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 44.
Años diez, revisita de poesía, No. 0 (May 2014; ed. Juan Carlos Reche, Madrid and Granada, Spain): 9 [in Spanish], 128 [in English]. [Spanish translation by Mario Jurado. The full section, ‘5 Poemas’, featuring a biographical note on Prynne and translations of Prynne’s poetry by Mario Jurado, is pp. 7–22, with the original English texts on pp. 128–34].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 44.
The White Stones. New York: New York Review of Books, 2016: 10.

‘If There is a Stationmaster at Stamford S.D. Hardly So’.
– as ‘If There Is A Stationmaster At Hamilton S.D. Hardly So’ in The Wivenhoe Park Review, 1 (Winter 1965): 47–48.
The White Stones. Lincoln: Grosseteste Press, 1969: 18–19.
Poems. Edinburgh and London: Agneau 2, 1982: 45–46.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 235–36.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 45–46.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 45–46.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 45–46.
The White Stones. New York: New York Review of Books, 2016: 11–12.

‘In the Long Run, to be Stranded’.
The White Stones. Lincoln: Grosseteste Press, 1969: 20.
Poems. Edinburgh and London: Agneau 2, 1982: 47.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 47.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 47.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 47.
The White Stones. New York: New York Review of Books, 2016: 13.

‘The Western Gate’.
The English Intelligencer, 1st ser., 1 (January 1966): 9.
The White Stones. Lincoln: Grosseteste Press, 1969: 21.
Poems. Edinburgh and London: Agneau 2, 1982: 48–49.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 48.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 48.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 48.
The White Stones. New York: New York Review of Books, 2016: 14–15.

‘Lashed to the Mast’.
The Wivenhoe Park Review, 1 (Winter 1965): 39.
The White Stones. Lincoln: Grosseteste Press, 1969: 22.
Poems. Edinburgh and London: Agneau 2, 1982: 49–50.
Almanacco dell Specchio, 13 (1989): 278–81 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 49.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 49.
– Ian Brinton, ‘Prynne in Prospect’. Salt Magazine, 3 (2009), online at http://pandora.nla.gov.au/pan/93590/20130104-0809/saltmagazine/issues/03/text/Brinton_Ian.htm [approx. pp. 25].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 49.
The White Stones. New York: New York Review of Books, 2016: 16–17.

‘Fri 13’.
The White Stones. Lincoln: Grosseteste Press, 1969: 23.
Poems. Edinburgh and London: Agneau 2, 1982: 50.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 50.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 50.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 50.
The White Stones. New York: New York Review of Books, 2016: 18.

‘Break It’.
The English Intelligencer, 1st ser., 10 (November 1966): 135.
The White Stones. Lincoln: Grosseteste Press, 1969: 24.
Poems. Edinburgh and London: Agneau 2, 1982: 51–52.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 51.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 51.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 51.
The White Stones. New York: New York Review of Books, 2016: 19–20.

‘Against Hurt’.
The English Intelligencer, 1st ser., 1 (January 1966): 8.
The White Stones. Lincoln: Grosseteste Press, 1969: 25.
Poems. Edinburgh and London: Agneau 2, 1982: 52.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 236–37.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 52.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 52.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 52.
The White Stones. New York: New York Review of Books, 2016: 21.

‘Moon Poem’.
The English Intelligencer, 1st ser., 6 (c. May 1966): 60.
The White Stones. Lincoln: Grosseteste Press, 1969: 26–27.
Poems. Edinburgh and London: Agneau 2, 1982: 53–54.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 53–54.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 53–54.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 53–54.
The White Stones. New York: New York Review of Books, 2016: 22–23.

‘Love in the Air’.
The English Intelligencer, 1st ser., 10 (November 1966): 136–37.
The White Stones. Lincoln: Grosseteste Press, 1969: 28–29.
Poems. Edinburgh and London: Agneau 2, 1982: 54–56.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 237–38.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 55–56.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 55–56.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 55–56.
The White Stones. New York: New York Review of Books, 2016: 24–26.

‘Bronze: Fish’.
The White Stones. Lincoln: Grosseteste Press, 1969: 30.
Poems. Edinburgh and London: Agneau 2, 1982: 57.
Almanacco dello Specchio, 13 (1989): 280–81 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 57.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 57.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 57.
The White Stones. New York: New York Review of Books, 2016: 27.

‘For a Quiet Day’.
The White Stones. Lincoln: Grosseteste Press, 1969: 31.
Poems. Edinburgh and London: Agneau 2, 1982: 58.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 58.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 58.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 58.
The White Stones. New York: New York Review of Books, 2016: 28.

‘Just So’.
The English Intelligencer, 1st ser., 10 (November 1966): 137–38.
The White Stones. Lincoln: Grosseteste Press, 1969: 32.
Poems. Edinburgh and London: Agneau 2, 1982: 59–60.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 59–60.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 59–60.
Años diez, revisita de poesía, No. 0 (May 2014; ed. Juan Carlos Reche, Madrid and Granada, Spain): 10–11 [in Spanish], 128 [in English]. [Spanish translation by Mario Jurado. The full section, ‘5 Poemas’, featuring a biographical note on Prynne and translations of Prynne’s poetry by Mario Jurado, is pp. 7–22, with the original English texts on pp. 128–34].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 59–60.
The White Stones. New York: New York Review of Books, 2016: 29–30.

‘Mouth Open’.
The White Stones. Lincoln: Grosseteste Press, 1969: 33.
Poems. Edinburgh and London: Agneau 2, 1982: 60.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 61.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 61.
– ‘“Tian Wen” Translation Workshop: Nine Chinese Poets Translating the Same One Foreign Poem at the Same Time in the Same Place’ (5 June 2007). Previously online at http://blog.163.com/ds_fa/blog/static/572852522007430113028775/ as of January 2016 [approx. pp. 7] [Nine Chinese translations of the poem, by a group of experimental poets, some of them in pseudonym: Gao Xing, Liang Xiaobin, Lao Chao, Lao Che, Mo Fei, Pan Xichen, Song Lin, Shu Cai and Ye Kuangzheng. Published above nine Chinese translations of Raymond Queneau, ‘Trois Petits Callioux’, by the same poets [approx. pp. 6]].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 61.
The White Stones. New York: New York Review of Books, 2016: 31.

‘From End to End’.
The English Intelligencer, 1st ser., 10 (November 1966): 138–39.
The White Stones. Lincoln: Grosseteste Press, 1969: 34–35.
Poems. Edinburgh and London: Agneau 2, 1982: 61–62.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 239–40.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 62–63.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 62–63.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 62–63.
The White Stones. New York: New York Review of Books, 2016: 32–33.

‘The Wound, Day and Night’.
The English Intelligencer, 1st ser., 2 (c. February 1966): 17.
The White Stones. Lincoln: Grosseteste Press, 1969: 36.
Poems. Edinburgh and London: Agneau 2, 1982: 63.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 64.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 64.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 64.
The White Stones. New York: New York Review of Books, 2016: 34.

‘The Glacial Question, Unsolved’.
The English Intelligencer, 1st ser., 7 (c. June 1966): 69–70.
Tracks, 6 (Spring 1969; ed. Neil Powell, ‘supplement of new poetry’ ed. Martin Wright): 32–33.
The White Stones. Lincoln: Grosseteste Press, 1969: 37–39.
Poems. Edinburgh and London: Agneau 2, 1982: 64–66.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 65–67.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 65–67.
– ‘J.H. Prynne: Drei Gedichte aus “The White Stones” (1969), in: J.H. Prynne: Poems, Bloodaxe Books 2005’ (19 March 2013). Online at https://leseanweisungen.wordpress.com/2013/03/19/j-h-prynne-2-drei-gedichte/. [German translation by Ulf Stolterfoht, alongside Stolterfoht’s translations of ‘On the Matter of Thermal Packing’ and ‘Frost and Snow, Falling’].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 65–67.
The White Stones. New York: New York Review of Books, 2016: 35–38.

‘Charm Against Too Many Apples’.
The English Intelligencer, 1st ser., 11 (November 1966): 172.
The White Stones. Lincoln: Grosseteste Press, 1969: 40.
Poems. Edinburgh and London: Agneau 2, 1982: 67–68.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 68.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 68.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 68.
The White Stones. New York: New York Review of Books, 2016: 39–40.

‘First Notes on Daylight’.
The English Intelligencer, 1st ser., 14 (March 1967): 232–33.
2R1 [Resuscitator, second series] (January 1968; eds. John James and Nick Wayte): 5–6. [includes errata slip, titled ‘GROSS ERRORS’, which notes corrections to p. 5].
– Tracks, 6 (Spring 1969; ed. Neil Powell, ‘supplement of new poetry’ ed. Martin Wright): 31.
The White Stones. Lincoln: Grosseteste Press, 1969: 41.
Poems. Edinburgh and London: Agneau 2, 1982: 68–69.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 240–41.
Almanacco dello Specchio, 13 (1989): 282–85 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 69.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 69.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 69.
The White Stones. New York: New York Review of Books, 2016: 41–42.

‘Frost and Snow, Falling’.
The English Intelligencer, 1st ser., 10 (November 1966): 140.
Aristeas. London: Ferry Press, 1968: 18–19.
The White Stones. Lincoln: Grosseteste Press, 1969: 42–43.
Poems. Edinburgh and London: Agneau 2, 1982: 69–71.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 241–43.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 70–71.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 70–71.
– ‘J.H. Prynne: Drei Gedichte aus “The White Stones” (1969), in: J.H. Prynne: Poems, Bloodaxe Books 2005’ (19 March 2013). Online at https://leseanweisungen.wordpress.com/2013/03/19/j-h-prynne-2-drei-gedichte/. [German translation by Ulf Stolterfoht, alongside Stolterfoht’s translations of ‘On the Matter of Thermal Packing’ and ‘The Glacial Question, Unsolved’].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 70–71.
– an excerpt, lines 9–24 of the final stanza (i.e., J.H. Prynne, Poems [2015]: 71, lines 7–22), published in Spanish translation in Silvia Eugenia Castillero, ‘Del orden inglés a la exuberancia mexicana’. Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 303–305 [303]. [Possibly translated by Héctor Ortiz and Víctor Ortiz, as their Spanish translation of J.H. Prynne, ‘Truth’, is also excerpted in the same article, on p. 304].
The White Stones. New York: New York Review of Books, 2016: 43–44.

‘For This, For This’.
The English Intelligencer, 1st ser., 10 (November 1966): 143–44.
The White Stones. Lincoln: Grosseteste Press, 1969: 44–45.
Poems. Edinburgh and London: Agneau 2, 1982: 71–72.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 72–73.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 72–73.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 72–73.
The White Stones. New York: New York Review of Books, 2016: 45–47.

‘In Cimmerian Darkness’.
The English Intelligencer, 1st ser., 10 (November 1966): 134.
The White Stones. Lincoln: Grosseteste Press, 1969: 46–47.
Poems. Edinburgh and London: Agneau 2, 1982: 73–74.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 74–75.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 74–75.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 74–75.
The White Stones. New York: New York Review of Books, 2016: 48–49.

‘Song in Sight of the World’.
The Wivenhoe Park Review, 1 (Winter 1965): 49–50.
The White Stones. Lincoln: Grosseteste Press, 1969: 48–49.
Poems. Edinburgh and London: Agneau 2, 1982: 75–76.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 76–77.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 76–77.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 76–77.
The White Stones. New York: New York Review of Books, 2016: 50–51.

‘Quality in that Case as Pressure’.
The English Intelligencer, 1st ser., 14 (March 1967): 229–30.
2R1 [Resuscitator, second series] (January 1968; eds. John James and Nick Wayte): 9–11. [includes errata slip, titled ‘GROSS ERRORS’, which notes corrections to pp. 9 and 11].
The White Stones. Lincoln: Grosseteste Press, 1969: 50–51.
Poems. Edinburgh and London: Agneau 2, 1982: 77–79.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 78–79.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 78–79.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 78–79.
The White Stones. New York: New York Review of Books, 2016: 52–54.

‘Oil’.
The English Intelligencer, 1st ser., 12 (January 1967): 187.
The White Stones. Lincoln: Grosseteste Press, 1969: 52.
Poems. Edinburgh and London: Agneau 2, 1982: 79.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 80.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 80.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 80.
The White Stones. New York: New York Review of Books, 2016: 55.

‘Shadow Songs’.
The English Intelligencer, 1st ser., 10 (November 1966): 138.
The White Stones. Lincoln: Grosseteste Press, 1969: 53.
Poems. Edinburgh and London: Agneau 2, 1982: 80.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 243.
Almanacco dello Specchio, 13 (1989): 284–85 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 81.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 81.
– flier for J.H. Prynne, Morag Morris Poetry Lecture on Edmund Blunden (8 October 2009, University of Surrey).
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 81.
The White Stones. New York: New York Review of Books, 2016: 56.

‘Concerning Quality, Again’.
The English Intelligencer, 1st ser., 11 (November 1966): 173.
The White Stones. Lincoln: Grosseteste Press, 1969: 54–55.
Poems. Edinburgh and London: Agneau 2, 1982: 81–82.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 244–45.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 82–83.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 82–83.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 82–83.
The White Stones. New York: New York Review of Books, 2016: 57–58.

‘On the Matter of Thermal Packing’.
The English Intelligencer, 1st ser., 12 (January 1967): 185–87.
The White Stones. Lincoln: Grosseteste Press, 1969: 56–58.
Poems. Edinburgh and London: Agneau 2, 1982: 83–85.
Lynx: Poetry from Bath, 3 (November 1997; ed. Douglas Clark), online at http://www.dgdclynx.plus.com/lynx/lynx39.html.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 84–86.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 84–86.
– ‘J.H. Prynne: Drei Gedichte aus “The White Stones” (1969), in: J.H. Prynne: Poems, Bloodaxe Books 2005’ (19 March 2013). Online at https://leseanweisungen.wordpress.com/2013/03/19/j-h-prynne-2-drei-gedichte/. [German translation by Ulf Stolterfoht, alongside Stolterfoht’s translations of ‘Frost and Snow, Falling’ and ‘The Glacial Question, Unsolved’].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 84–86.
The White Stones. New York: New York Review of Books, 2016: 59–62.

‘Price Tag Song’.
The English Intelligencer, 2nd ser., 13 (September 1967): 483.
The White Stones. Lincoln: Grosseteste Press, 1969: 59.
Poems. Edinburgh and London: Agneau 2, 1982: 86.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 87.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 87.
– Subaltern, 1–2 (2011; Umeå, Sweden): 82. [Swedish translation by Martin Bergqvist. The full section, featuring an introduction and translations of Prynne’s poetry by Martin Bergqvist, is pp. 72–83].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 87.
The White Stones. New York: New York Review of Books, 2016: 63.

‘The Common Gain, Reverted’.
The English Intelligencer, 1st ser., 14 (March 1967): 228–29.
The White Stones. Lincoln: Grosseteste Press, 1969: 60–61.
Poems. Edinburgh and London: Agneau 2, 1982: 87–88.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 245–46.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 88–89.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 88–89.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 88–89.
The White Stones. New York: New York Review of Books, 2016: 64–65.

‘Aristeas, in Seven Years’.
The English Intelligencer, 2nd ser., 1 (April 1967): 276–79; 2nd ser., 6 (June 1967): 377 adds a bibliography.
Aristeas. London: Ferry Press, 1968: 7–13.
The White Stones. Lincoln: Grosseteste Press, 1969: 62–68.
Poems. Edinburgh and London: Agneau 2, 1982: 89–95.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 90–96.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 90–96.
– an excerpt, the first three numbered sections of the original sequence, from Aristeas pp. 7–9 (i.e., J.H. Prynne, Poems [2015]: 90–92), published in German translation (bilingual edition) by Hans Thill in Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 142–48.
Poems | Gedichte. [German translation (bilingual edition) of selected poems, by Ulf Stolterfoht and Hans Thill] Heidelberg: Verlag das Wunderhorn, 2007: 6–21 [this poem translated by Hans Thill and Michaela Schrage-Früh].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 90–96.
The White Stones. New York: New York Review of Books, 2016: 66–74.

‘Señor Vázquez Speaking and Further Soft Music to Eat By’.
The English Intelligencer, 2nd ser., 7 (July 1967): 403.
2R1 [Resuscitator, second series] (January 1968; eds. John James and Nick Wayte): 11–13. [includes errata slip, titled ‘GROSS ERRORS’, which notes corrections to p. 11].
The White Stones. Lincoln: Grosseteste Press, 1969: 69.
Poems. Edinburgh and London: Agneau 2, 1982: 96–97.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 97–98.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 97–98.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 97–98.
The White Stones. New York: New York Review of Books, 2016: 75–76.

‘Thoughts on the Esterházy Court Uniform’.
The English Intelligencer, 2nd ser., 6 (June 1967): 382–83.
2R1 [Resuscitator, second series] (January 1968; eds. John James and Nick Wayte): 6–8. [includes errata slip, titled ‘GROSS ERRORS’, which notes corrections to pp. 7–8].
– Tracks, 6 (Spring 1969; ed. Neil Powell, ‘supplement of new poetry’ ed. Martin Wright): 34–35.
The White Stones. Lincoln: Grosseteste Press, 1969: 70–71.
Poems. Edinburgh and London: Agneau 2, 1982: 97–99.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 246–48.
– an excerpt, lines 1–28, published in Almanacco dello Specchio, 13 (1989): 286–87 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 99–100.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 99–100.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 18–23.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 12–19.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 99–100.
The White Stones. New York: New York Review of Books, 2016: 77–79.

‘A Sonnet to Famous Hopes’.
The English Intelligencer, 2nd ser., 13 (September 1967): 503.
The White Stones. Lincoln: Grosseteste Press, 1969: 72.
Poems. Edinburgh and London: Agneau 2, 1982: 100.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 101.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 101.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 101.
The White Stones. New York: New York Review of Books, 2016: 80.

‘Whose Dust Did You Say’.
The English Intelligencer, 3rd ser., 2 (January 1968): 18.
The White Stones. Lincoln: Grosseteste Press, 1969: 73.
Poems. Edinburgh and London: Agneau 2, 1982: 101.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 102.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 102.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 102.
The White Stones. New York: New York Review of Books, 2016: 81.

‘A Dream of Retained Colour’.
The English Intelligencer, 2nd ser., 13 (September 1967): 482–83.
Grosseteste Review, Vol. 1 No. 1 (Spring 1968): 34–35.
The White Stones. Lincoln: Grosseteste Press, 1969: 74–75.
Poems. Edinburgh and London: Agneau 2, 1982: 102–103.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 248–50.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 103–104.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 103-04.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 103–104.
The White Stones. New York: New York Review of Books, 2016: 82–84.

‘3 Sentimental Tales’.
The English Intelligencer, 2nd ser., 13 (September 1967): 503.
The White Stones. Lincoln: Grosseteste Press, 1969: 76.
Poems. Edinburgh and London: Agneau 2, 1982: 104–105.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 105–106.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 105–106.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 105–106.
The White Stones. New York: New York Review of Books, 2016: 85–86.

‘Foot and Mouth’.
The English Intelligencer, 3rd ser., 2 (January 1968): 19–20.
The White Stones. Lincoln: Grosseteste Press, 1969: 77.
Poems. Edinburgh and London: Agneau 2, 1982: 106.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 107.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 107.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 107.
The White Stones. New York: New York Review of Books, 2016: 87–88.

‘Star Damage at Home’.
The English Intelligencer, 2nd ser., 10 (August 1967): 444–45.
Aristeas. London: Ferry Press, 1968: 5–6.
The White Stones. Lincoln: Grosseteste Press, 1969: 78–79.
Poems. Edinburgh and London: Agneau 2, 1982: 107–108.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 108–109.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 108–109.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 24–27.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 18–23.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 108–109.
The White Stones. New York: New York Review of Books, 2016: 89–90.

‘One Way At Any Time’.
The English Intelligencer, 3rd ser., 3 (January 1968): 16.
The White Stones. Lincoln: Grosseteste Press, 1969: 80.
Poems. Edinburgh and London: Agneau 2, 1982: 109.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 250–51.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 110.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 110.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 110.
The White Stones. New York: New York Review of Books, 2016: 91–92.

‘Acquisition of Love’.
The English Intelligencer, 3rd ser., 1 (December 1967): [n.p.] [3].
2R1 [Resuscitator, second series] (January 1968; eds. John James and Nick Wayte): 8–9. [includes errata slip, titled ‘GROSS ERRORS’, which notes corrections to p. 9].
The White Stones. Lincoln: Grosseteste Press, 1969: 81.
Poems. Edinburgh and London: Agneau 2, 1982: 110–11.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 111.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 111.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 111.
The White Stones. New York: New York Review of Books, 2016: 93–94.

‘Questions for the Time Being’.
The English Intelligencer, 3rd ser., 4 (February 1968): [n.p.] [10–11].
– Tracks, 6 (Spring 1969; ed. Neil Powell, ‘supplement of new poetry’ ed. Martin Wright): 36–37.
The White Stones. Lincoln: Grosseteste Press, 1969: 82–83.
Poems. Edinburgh and London: Agneau 2, 1982: 111–13.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 112–13.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 112–13.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 28–33.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 22–29.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 112–13.
The White Stones. New York: New York Review of Books, 2016: 95–97.

‘Starvation / Dream’.
The English Intelligencer, 3rd ser., 2 (January 1968): 19.
The White Stones. Lincoln: Grosseteste Press, 1969: 84.
Poems. Edinburgh and London: Agneau 2, 1982: 113–14.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 114.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 114.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 114.
The White Stones. New York: New York Review of Books, 2016: 98–99.

‘Smaller than the Radius of the Planet’.
The English Intelligencer, 3rd ser., 3 (January 1968): 16.
The White Stones. Lincoln: Grosseteste Press, 1969: 85.
Poems. Edinburgh and London: Agneau 2, 1982: 114.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 115.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 115.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 115.
The White Stones. New York: New York Review of Books, 2016: 100.

‘Crown’.
The English Intelligencer, 3rd ser., 5 (March 1968): [n.p.] [14].
The White Stones. Lincoln: Grosseteste Press, 1969: 86–87.
Poems. Edinburgh and London: Agneau 2, 1982: 115–16.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 116–17.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 116–17.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 116–17.
The White Stones. New York: New York Review of Books, 2016: 101–102.

‘Love’.
The English Intelligencer, 3rd ser., 5 (March 1968): [n.p.] [13].
The White Stones. Lincoln: Grosseteste Press, 1969: 88.
Poems. Edinburgh and London: Agneau 2, 1982: 116.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 251.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 118.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 118.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 118.
The White Stones. New York: New York Review of Books, 2016: 103.

‘Night Song’.
The White Stones. Lincoln: Grosseteste Press, 1969: 89.
Poems. Edinburgh and London: Agneau 2, 1982: 117.
Almanacco dello Specchio, 13 (1989): 288–89 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 119.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 119.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 119.
The White Stones. New York: New York Review of Books, 2016: 104.

‘A Stone Called Nothing’.
The English Intelligencer, 3rd ser., 6 (April 1968): [n.p.] [20–21].
The White Stones. Lincoln: Grosseteste Press, 1969: 90–91.
Poems. Edinburgh and London: Agneau 2, 1982: 118–19.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 120–21.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 120–21.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 120–21.
The White Stones. New York: New York Review of Books, 2016: 105–106.

‘John in the Blooded Phoenix’.
The English Intelligencer, 3rd ser., 3 (January 1968): 17.
The White Stones. Lincoln: Grosseteste Press, 1969: 92.
Poems. Edinburgh and London: Agneau 2, 1982: 119–20.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 122.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 122.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 122.
The White Stones. New York: New York Review of Books, 2016: 107.

‘Chemins de Fer’.
The English Intelligencer, 3rd ser., 6 (April 1968): [n.p.] [21–22].
The White Stones. Lincoln: Grosseteste Press, 1969: 93.
Poems. Edinburgh and London: Agneau 2, 1982: 120–21.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 123.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 123.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 123.
The White Stones. New York: New York Review of Books, 2016: 108–109.

‘As It Were An Attendant’.
The English Intelligencer, 3rd ser., 1 (December 1967): [n.p.] [10–11].
Grosseteste Review, Vol. 1 No. 1 (Spring 1968): 36–38.
The White Stones. Lincoln: Grosseteste Press, 1969: 94–95.
Poems. Edinburgh and London: Agneau 2, 1982: 121–23.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 252–53.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 124–25.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 124–25.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 34–38.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 28–35.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 124–25.
The White Stones. New York: New York Review of Books, 2016: 110–12.

‘The Corn Burned by Syrius’.
Collection Two (August 1968; ed. Peter Riley): 46.
2R [Resuscitator, second series], 2 (August 1968; eds. John James and Nick Wayte): 35.
The White Stones. Lincoln: Grosseteste Press, 1969: 96.
Poems. Edinburgh and London: Agneau 2, 1982: 124.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 126.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 126.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 126.
The White Stones. New York: New York Review of Books, 2016: 113.

‘And Only Fortune Shines’.
The English Intelligencer, 2nd ser., 2 (April 1967): 323.
Poems. Edinburgh and London: Agneau 2, 1982: 132–33.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 134–35.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 134–35.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 134–35.

‘Poem in Time to This’.
Poems. Edinburgh and London: Agneau 2, 1982: 134.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 136.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 136.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 136.

‘East-South-East’.
Poems. Edinburgh and London: Agneau 2, 1982: 135.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 137.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 137.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 137.

Hey Oswald’.
Poems. Edinburgh and London: Agneau 2, 1982: 136–37.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 138.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 138.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 138.

‘How Many There Are: A Letter’.
The English Intelligencer, 2nd ser., 2 (April 1967): 324.
Poems. Edinburgh and London: Agneau 2, 1982: 137–38.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 139–40.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 139–40.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 139–40.

Fire Lizard.
Fire Lizard. Barnet, Hertfordshire: Blacksuede Boot Press, 1970 [composed New Year’s Day 1970]. [n.p.].
Lézard de feu. [French translation of Fire Lizard, by B. Dubourg] Damazan (Lot-et-Garonne): privately printed, 1975. [n.p.] [poem in 12 one-page sections].
Poems. Edinburgh and London: Agneau 2, 1982: 139–45.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 141–47.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 141–47.
Subaltern, 1–2 (2011; Umeå, Sweden): 76–81. [Swedish translation by Martin Bergqvist. The full section, featuring an introduction and translations of Prynne’s poetry by Martin Bergqvist, is pp. 72–83].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 141–47.

‘The Bee Target on his Shoulder’.
– as ‘Highest Tender’. Collection Seven (Autumn 1970; ed. Peter Riley, with John James): 24–26.
– as ‘The bee target on his shoulder’. The Fitzwilliam Magazine (1970): [28–29], in a four-page poetry supplement on pp. [27–30]. [The poetry supplement is intercalated in Dave Punter’s article ‘Cambridge Poetry’ on pp. 19–32].
Brass. London: Ferry Press, 1971: 9–12.
Po&sie, 3 (1977; Paris, Éditions Belin): 5–8 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 148–51.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 253–56.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 150–52.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 150–52.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 39–46.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 36–45, 47.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 150–52.

‘Sun Set 4·56’.
Brass. London: Ferry Press, 1971: 13.
Po&sie, 3 (1977; Paris, Éditions Belin): 9 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 152.
Almanacco dello Specchio, 13 (1989): 288–91 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
20 ans de Po&sie: choix de textes publiés dans la revue Po&sie, 1977–1997, ed. Michel Deguy. Paris: Éditions Belin, 1997: 33 [French translation by Bernard Dubourg and J.H. Prynne. This is one of two selections [33–34] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 153.
Po&sie, 98 (2002; Paris, Éditions Belin): 148 [French translation by Bernard Dubourg and J.H. Prynne. This is one of five selections [148–52] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 153.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 153.

‘Viva Ken’.
– The Norman Hackforth (February 1969; ed. John James, Cambridge): [n.p.] [16].
Brass. London: Ferry Press, 1971: 14–15.
Po&sie, 3 (1977; Paris, Éditions Belin): 10 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 152–53.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 154.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 154.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 154.

‘The Kirghiz Disasters’.
– The Norman Hackforth (February 1969; ed. John James, Cambridge): [n.p.] [1–4].
Collection Four / Tzarad, 3 (April 1969; ed. Peter Riley / ed. Lee Harwood): 41–43.
Brass. London: Ferry Press, 1971: 16–19.
Po&sie, 3 (1977; Paris, Éditions Belin): 11–14 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 154–57.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 155–58.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 155–58.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 155–58.

‘Royal Fern’.
Collection Seven (Autumn 1970; ed. Peter Riley, with John James): 23.
Brass. London: Ferry Press, 1971: 20–21.
Prospice, 7 (1977): 8–11 [French translation (bilingual edition) by B. Dubourg and J.H. Prynne].
Po&sie, 3 (1977; Paris, Éditions Belin): 15–16 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
alif, 9 (1977; Tunis, Tunisia): 77–78 [French translation by Lorand Gaspar, in a section of his translations of ‘Trois Poetes Anglais Contemporains’ (Prynne, Peter Riley and R. Little), pp. 75–87].
Poems. Edinburgh and London: Agneau 2, 1982: 158–59.
20 ans de Po&sie: choix de textes publiés dans la revue Po&sie, 1977–1997, ed. Michel Deguy. Paris: Éditions Belin, 1997: 34 [French translation by Bernard Dubourg and J.H. Prynne. This is one of two selections [33–34] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 159–60.
Po&sie, 98 (2002; Paris, Éditions Belin): 149 [French translation by Bernard Dubourg and J.H. Prynne. This is one of five selections [148–52] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 159–60.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 148–52 [German translations (bilingual edition) by, respectively, Norbert Hummelt, Elke Erb, Birgit Kempker and Franz Josef Czernin].
River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 41–42 [in English].
Subaltern, 1–2 (2011; Umeå, Sweden): 74–75. [Swedish translation by Martin Bergqvist. The full section, featuring an introduction and translations of Prynne’s poetry by Martin Bergqvist, is pp. 72–83].
Años diez, revisita de poesía, No. 0 (May 2014; ed. Juan Carlos Reche, Madrid and Granada, Spain): 14–15 [in Spanish], 129 [in English]. [Spanish translation by Mario Jurado. The full section, ‘5 Poemas’, featuring a biographical note on Prynne and translations of Prynne’s poetry by Mario Jurado, is pp. 7–22, with the original English texts on pp. 128–34].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 159–60.

‘L’Extase de M. Poher’.
The Anona Wynn (June 1969; ed. Wendy Mulford, Cambridge): [n.p.] [pp. 3].
Brass. London: Ferry Press, 1971: 22–23.
Po&sie, 3 (1977; Paris, Éditions Belin): 17–18 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 160–61.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 161–62.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 161–62.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 161–62.

‘The Five Hindrances’.
Brass. London: Ferry Press, 1971: 24.
Prospice, 7 (1977): 10–13 [French translation (bilingual edition) by B. Dubourg and J.H. Prynne].
Po&sie, 3 (1977; Paris, Éditions Belin): 19 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Padma, 1 (c. 1981: ‘Matrix Issue’; ed. Donald Powell, Pocatello, Idaho): 85.
Poems. Edinburgh and London: Agneau 2, 1982: 162.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 163.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 163.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 163.

‘Wood Limit Refined’.
Brass. London: Ferry Press, 1971: 25–26.
Po&sie, 3 (1977; Paris, Éditions Belin): 20–21 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 163–64.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 164.
Po&sie, 98 (2002; Paris, Éditions Belin): 150 [French translation by Bernard Dubourg and J.H. Prynne. This is one of five selections [148–52] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 164.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 164.

‘The Ideal Star-Fighter’.
Brass. London: Ferry Press, 1971: 27–28.
Po&sie, 3 (1977; Paris, Éditions Belin): 22–23 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 164–65.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 257–58.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 165–66.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 165–66.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 47–48.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 46–55 [including a page [48a/48b] inserted between 48 and 49].
– an excerpt, the first numbered section of the poem [i.e., J.H. Prynne, Poems [2015]: 165], published in Verse Version, Vol. 2 No. 1 (March 2013; chief ed. Zhang Guangkui, [Guangdong, P.R. China]): 54–55. [Chinese translation (bilingual edition) by English Poetry Studies Institute, reprinted from Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 165–66.

‘Nothing Like Examples’.
Collection Seven Supplement ([Autumn 1970]; [ed. Peter Riley]): [n.p.].
Brass. London: Ferry Press, 1971: 29–30.
Po&sie, 3 (1977; Paris, Éditions Belin): 24–25 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 166–67.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 167–68.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 167–68.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 167–68.

‘Es Lebe der König’.
Collection Seven (Autumn 1970; ed. Peter Riley, with John James): 22.
Brass. London: Ferry Press, 1971: 31–32.
– Edmond Jabés, “Answer to a Letter” (trans. Rosmarie Waldrop); J.H. Prynne, “Es Lebe der König”; Paul Celan, “Conversation in the Mountains” (trans. Rosmarie Waldrop). Published together as The Literary Supplement, Writings, 1 (The Literary Supplement, Nothing doing (formally in London), 1973): 10–11. [Editor, A[nthony] Barnett, Consultants, J.H. Prynne, C. Royet-Journoud, R. Waldrop].
Po&sie, 3 (1977; Paris, Éditions Belin): 26–27 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
alif, 9 (1977; Tunis, Tunisia): 75–76 [French translation by Lorand Gaspar, in a section of his translations of ‘Trois Poetes Anglais Contemporains’ (Prynne, Peter Riley and R. Little), pp. 75–87].
Poems. Edinburgh and London: Agneau 2, 1982: 168–69.
Poesi, 3/4 (1985; Bekkestua, Norway): 98 [Norwegian translation by Torleiv Grue].
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 258–59.
Sand og Kobber. [Norwegian translation of selected poems, by Torleiv Grue] Oslo: Forlaget Oktober, 1989: 7–8.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 169–70.
Po&sie, 98 (2002; Paris, Éditions Belin): 151–52 [French translation by Bernard Dubourg and J.H. Prynne. This is one of five selections [148-52] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 169–70.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 169–70.

‘Thinking of You’.
Brass. London: Ferry Press, 1971: 33.
Po&sie, 3 (1977; Paris, Éditions Belin): 28 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 170.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 171.
Po&sie, 98 (2002; Paris, Éditions Belin): 152 [French translation by Bernard Dubourg and J.H. Prynne. This is one of five selections [148–52] from Oripeau clinquaille, the 1977 French translation of Brass by B. Dubourg and J. H. Prynne].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 171.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 171.

‘A New Tax on the Counter-Earth’.
The Curiously Strong, Vol. 3 No. 3 (2 November 1970): [n.p.].
Collection Seven (Autumn 1970; ed. Peter Riley, with John James): 26–27.
Brass. London: Ferry Press, 1971: 34–35.
Po&sie, 3 (1977; Paris, Éditions Belin): 29–30 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 171–72.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 172–73.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 172–73.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 49–54.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 172–73.

‘Lupin Seed’.
Brass. London: Ferry Press, 1971: 36.
Po&sie, 3 (1977; Paris, Éditions Belin): 31 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 173.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 174.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 174.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 174.

‘Of Sanguine Fire’.
Granta, Vol. 75 No. 2 (November 1969): 11–14, in the section ‘New Cambridge Poetry’, pp. 11–18.
Canards du siècle présent [English-language poetry anthology], ed. Anthony Barnett. Nivaa, Danmark: privately printed, February 1970: [n.p.].
Writing: Georgia Straight Writing Supplement, 8 (27 July 1971; eds. Stan Persky and Dennis Wheeler, Vancouver [York Street]): 7–9. [Prynne may have also assembled the collages running alongside the poem from 7–9].
Brass. London: Ferry Press, 1971: 37–41.
Po&sie, 3 (1977; Paris, Éditions Belin): 32–36 [French translation by Bernard Dubourg and J.H. Prynne. In the sequence Oripeau clinquaille, the French translation of Brass by B. Dubourg and J. H. Prynne, on pp. 3–36].
Poems. Edinburgh and London: Agneau 2, 1982: 174–78.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 175–79.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 175–79.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 175–79.

‘The Friday Ballad’.
Collection Four / Tzarad, 3 (April 1969; ed. Peter Riley / ed. Lee Harwood): 44.
Poems. Edinburgh and London: Agneau 2, 1982: 180.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 182.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 182.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 182.

‘Air  Gap  Song’.
Collection Three (January 1969; ed. Peter Riley): 46.
Poems. Edinburgh and London: Agneau 2, 1982: 181–82.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 183.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 183.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 183.

‘Bite on the Crown’.
The Literary Supplement, 1 (8 September 1972; ed. Anthony Barnett, printed in Oslo, Norway, published in London, UK, ‘distributed with the assistance of Peter Riley at Odense University’): 2.
Poems. Edinburgh and London: Agneau 2, 1982: 182.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 184.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 184.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 184.

‘White & Smart’.
Poems. Edinburgh and London: Agneau 2, 1982: 183.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 185.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 185.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 185.

‘Nibble Song’.
Poems. Edinburgh and London: Agneau 2, 1982: 184.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 186.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 186.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 186.

‘On the Front’.
2R [Resuscitator, second series], [3:] The Last Resuscitator (January 1969; eds. John James and Nick Wayte): 30.
Poems. Edinburgh and London: Agneau 2, 1982: 185.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 187.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 187.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 187.

‘The King of Spain’.
Poems. Edinburgh and London: Agneau 2, 1982: 186–87.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 188.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 188.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 188.

‘Retail Count’.
Poems. Edinburgh and London: Agneau 2, 1982: 187.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 189.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 189.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 189.

‘Rich in Vitamin C’.
Poems. Edinburgh and London: Agneau 2, 1982: 188–89.
Jacket, 6 (1999), online at http://jacketmagazine.com/06/pryn-kins.html, printed above a talk about the poem broadcast on BBC4 by John Kinsella.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 190.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 190.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 55–58.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 56–59.
Verse Version, Vol. 2 No. 1 (March 2013; chief ed. Zhang Guangkui, [Guangdong, P.R. China]): 56–59. [Chinese translation (bilingual edition) by English Poetry Studies Institute, reprinted from Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 190.

‘Smooth Landing’.
Poems. Edinburgh and London: Agneau 2, 1982: 189.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 191.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 191.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 191.

A Night Square.
A Night Square. London: Albion Village Press, 1973. [composed Candlemas 1971]. [n.p.] [poem in 11 one-page sections].
Poems. Edinburgh and London: Agneau 2, 1982: 191–97.
Sand og Kobber. [Norwegian translation of selected poems, by Torleiv Grue] Oslo: Forlaget Oktober, 1989: 31–43.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 193–99.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 193–99.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 193–99.

Into The Day.
Into The Day. Cambridge: privately printed (distributed through Ferry Press), 1972. [n.p.] [poem in 24 one-page sections, plus 4 pages of illustration and an epigraph page].
– an excerpt, [poem 21] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 213 top), published in TENS, 2 (September 1972; ed. Bill Little, Los Angeles): [n.p.] [pp. 1].
– excerpts, [poems 9, 10, 12, 1, and 24] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 206 top and bottom, 207 bottom, 202 top, and 214 bottom), published in Padma, 1 (c. 1981: ‘Matrix Issue’; ed. Donald Powell, Pocatello, Idaho): 86–87.
Poems. Edinburgh and London: Agneau 2, 1982: 199–212.
– an excerpt, [poems 5–8] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 204–205), published in A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 260–61.
– an excerpt, [poem 22] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 213 bottom), published in Almanacco dello Specchio, 13 (1989): 290–91 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 201–14.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 201–14.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 201–14.

‘Treatment in the Field’.
Wound Response. Cambridge: Street Editions, 1974: 5.
Poems. Edinburgh and London: Agneau 2, 1982: 214.
– Matières D’Angleterre: Anthologie bilingue de la Nouvelle Poésie Anglaise, eds. Pierre Joris and Paul Buck. Amiens: Trois Cailloux, 1984 [published as In’hui, 19 (journal edited by Jacques Darras)]: 111–12 [French translation (bilingual edition) by Bernard Dubourg and J.H. Prynne].
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 261–62.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 216.
Poets Poems, No. 9: LAND/OR (2002; ed. Iain Sinclair, Belper, Derbyshire, Aggie Weston’s Editions): [n.p.] [pp. 2].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 216.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 59–62.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation [including Wound Response’s epigraph], followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
– Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 60–63.
Verse Version, Vol. 2 No. 1 (March 2013; chief ed. Zhang Guangkui, [Guangdong, P.R. China]): 60–63. [Chinese translation (bilingual edition) by English Poetry Studies Institute, reprinted from Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 216.

‘The Blade Given Back’.
Writing: Georgia Straight Writing Supplement, 8 (27 July 1971; eds. Stan Persky and Dennis Wheeler, Vancouver [York Street]): 15.
Wound Response. Cambridge: Street Editions, 1974: 6–7.
New Directions, 32 (1976; ed. J[ames] Laughlin, with Peter Glassgold and Frederick R. Martin): 114–16. [Prynne’s ‘Two Poems’ (‘The Blade Given Back’ and ‘Again in the Black Cloud’) are in the section ‘Ten English Poets’, a selection edited by Andrew Crozier [pp. 97–131]].
Poems. Edinburgh and London: Agneau 2, 1982: 215–16.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 217–18.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 217–18.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 63–66.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 64–69.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 217–18.

‘Cool as a Mountain Stream’.
Great Works, 1 (April 1973): 1.
Wound Response. Cambridge: Street Editions, 1974: 8.
Prospice, 7 (1977): 12–15 [French translation (bilingual edition) by B. Dubourg and J.H. Prynne].
Poems. Edinburgh and London: Agneau 2, 1982: 217.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 219.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 219.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 67–68.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 68–71.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 219.

‘Thanks for the Memory’.
Wound Response. Cambridge: Street Editions, 1974: 9.
Poems. Edinburgh and London: Agneau 2, 1982: 218.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 220.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 220.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 69–70.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 70–73.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 220.

‘Pigment Depôt’.
Wound Response. Cambridge: Street Editions, 1974: 10–11.
Prospice, 7 (1977): 14–17 [French translation (bilingual edition) by B. Dubourg and J.H. Prynne].
Poems. Edinburgh and London: Agneau 2, 1982: 219–20.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 221–22.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 221–22.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 71–74.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 72–77.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 221–22.

‘Of Movement Towards a Natural Place’.
Wound Response. Cambridge: Street Editions, 1974: 12.
Poems. Edinburgh and London: Agneau 2, 1982: 221.
– Matières D’Angleterre: Anthologie bilingue de la Nouvelle Poésie Anglaise, eds. Pierre Joris and Paul Buck. Amiens: Trois Cailloux, 1984 [published as In’hui, 19 (journal edited by Jacques Darras)]: 229–31 [French translation (bilingual edition) by Bernard Dubourg and J.H. Prynne].
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 262–63.
Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two, From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris. Berkeley, California: University of California Press, 1998: 583–84.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 223.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 223.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 75–76.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 76–79.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 223.

‘Landing Area’.
Wound Response. Cambridge: Street Editions, 1974: 13.
Poems. Edinburgh and London: Agneau 2, 1982: 222.
Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two, From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris. Berkeley, California: University of California Press, 1998: 584.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 224.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 224.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 77–78.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 80–81.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 224.

‘Chromatin’.
Wound Response. Cambridge: Street Editions, 1974: 14.
Poems. Edinburgh and London: Agneau 2, 1982: 223.
Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two, From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris. Berkeley, California: University of California Press, 1998: 585.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 225.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 225.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 79–80.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 80–83.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 225.

‘Melanin’.
Wound Response. Cambridge: Street Editions, 1974: 15.
Poems. Edinburgh and London: Agneau 2, 1982: 224.
Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two, From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris. Berkeley, California: University of California Press, 1998: 585.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 226.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 226.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 81–82.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 82–85.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 226.

‘An Evening Walk’.
Wound Response. Cambridge: Street Editions, 1974: 16–17.
Poems. Edinburgh and London: Agneau 2, 1982: 225–26.
Poems for the Millennium: The University of California Book of Modern & Postmodern Poetry, Volume Two, From Postwar to Millennium, eds. Jerome Rothenberg and Pierre Joris. Berkeley, California: University of California Press, 1998: 586–87.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 227–28.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 227–28.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 83–86.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 84–89.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 227–28.

[‘Bread against his cheek he says . . .’].
Wound Response. Cambridge: Street Editions, 1974: 18.
Poems. Edinburgh and London: Agneau 2, 1982: 227.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 229.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 229.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 87–88.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 88–89.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 229.

[‘As grazing the earth . . .’].
TENS, 2 (September 1972; ed. Bill Little, Los Angeles): [n.p.] [pp. 1].
Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch, 21 (1973; ed. Peter Hoy, Oxford). [reproduced from author-holograph, with scientific diagram and commentary] [pp. 1].
Wound Response. Cambridge: Street Editions, 1974: 19.
Poems. Edinburgh and London: Agneau 2, 1982: 227.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 229.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 229.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 89–90.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 88–91.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 229.

‘Again in the Black Cloud’.
Wound Response. Cambridge: Street Editions, 1974: 20–21.
New Directions, 32 (1976; ed. J[ames] Laughlin, with Peter Glassgold and Frederick R. Martin): 116–17. [Prynne’s ‘Two Poems’ (‘The Blade Given Back’ and ‘Again in the Black Cloud’) are in the section ‘Ten English Poets’, a selection edited by Andrew Crozier [pp. 97–131]].
Poems. Edinburgh and London: Agneau 2, 1982: 228–29.
A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 263–64.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 230–31.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 230–31.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 91–94.
Foreign Literature, 3 (May 2009; P.R. China): [unknown page numbers]. [Chinese translation by Chen Shangzhen].
– a Chinese translation, followed by the original poem in English, was previously online at the English Poetry Studies Institute (EPSI), Sun Yat-sen University, Guangzhou (P.R. China), website at http://fls.sysu.edu.cn/fls/Poesy/poesy.aspx?id=35866629523&type=0 as of November 2009.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 90–95.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 230–31.

The Plant Time Manifold Transcripts.
Grosseteste Review, Vol. 7 No. 1–3 (Summer 1974): 80–88.
Wound Response. Cambridge: Street Editions, 1974: 23–32.
Poems. Edinburgh and London: Agneau 2, 1982: 231–41.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 233–42.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 233–42.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 233–42.
OEI, 73–74 (2016: ‘Grön våglängd: trädgårdar, parker, växter’; Stockholm, Sweden): 611–17. [Swedish translation by Gustav Sjöberg].

[Rune Poem].
Poems. Edinburgh and London: Agneau 2, 1982: 244.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 244.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 244.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 244.

‘Glove Timing’.
Poems. Edinburgh and London: Agneau 2, 1982: 245.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 245.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 245.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 245.

High Pink on Chrome.
High Pink on Chrome. Cambridge: privately printed (distributed through Ferry Press), 1975.
Poems. Edinburgh and London: Agneau 2, 1982: 247–63.
– an excerpt, pp. 16–19 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 253–56), published in A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 265–67.
– an excerpt, p. 25 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 262], published in Almanacco dello Specchio, 13 (1989): 292–93 [Italian translation (bilingual edition) by Franco Buffoni. The full section, ‘Filtra sotto l’unghia’, featuring an introduction and translations of Prynne’s poetry by Franco Buffoni, is pp. 267–93].
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 247–63.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 247–63.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 247–63.
Three Books: High Pink on Chrome, Striking the Pavilion of Zero, High Zero, by J.H. Prynne, John James and Andrew Crozier [respectively]. [Unaltered reprint of the 1975 text, as well as unaltered reprints of John James, Striking the Pavilion of Zero (London: Ian McKelvie, 1975) and Andrew Crozier, High Zero (Cambridge: Street Editions, 1978)] Swindon: Shearsman Books, 2021: 13–30.

‘Start’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 6.
Poems. Edinburgh and London: Agneau 2, 1982: 266.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 266.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 266.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 266.

‘Next’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 6.
Poems. Edinburgh and London: Agneau 2, 1982: 266.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 266.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 266.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 266.

‘Reason’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 7.
Poems. Edinburgh and London: Agneau 2, 1982: 267.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 267.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 267.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 267.

‘Point’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 7.
Poems. Edinburgh and London: Agneau 2, 1982: 267.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 267.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 267.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 267.

‘Fill’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 8.
Poems. Edinburgh and London: Agneau 2, 1982: 268.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 268.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 268.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 268.

‘Only’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 8.
Poems. Edinburgh and London: Agneau 2, 1982: 268.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 268.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 268.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 268.

‘Cloth’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 9.
Poems. Edinburgh and London: Agneau 2, 1982: 269.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 269.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 269.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 269.

‘Send’. In the sequence ‘The Land of Saint Martin’.
Perfect Bound, 1 (1976): 9.
Poems. Edinburgh and London: Agneau 2, 1982: 269.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 269.
Jacket, 20 (December 2002), online at http://jacketmagazine.com/20/pbs.html#sjpa.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 269.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 269.

Exponent’. In the sequence ‘Vernal Aspects’.
– as ‘Week 1: Exponent’. Grosseteste Review, Vol. 10 No. 1–4 (Summer 1977): 37.
Poems. Edinburgh and London: Agneau 2, 1982: 272.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 272.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 272.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 272.

Temper’. In the sequence ‘Vernal Aspects’.
– as ‘Week 2: Temper’. Grosseteste Review, Vol. 10 No. 1–4 (Summer 1977): 38.
Poems. Edinburgh and London: Agneau 2, 1982: 272.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 272.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 272.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 272.

Coil’. In the sequence ‘Vernal Aspects’.
– as ‘Week 3: Coil’. Grosseteste Review, Vol. 10 No. 1–4 (Summer 1977): 38.
Poems. Edinburgh and London: Agneau 2, 1982: 273.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 273.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 273.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 273.

Storage’. In the sequence ‘Vernal Aspects’.
– as ‘Week 4: Storage’. Grosseteste Review, Vol. 10 No. 1–4 (Summer 1977): 39.
Poems. Edinburgh and London: Agneau 2, 1982: 273.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 273.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 273.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 273.

Winding’. In the sequence ‘Vernal Aspects’.
– as ‘Week 5: Winding’. Grosseteste Review, Vol. 10 No. 1–4 (Summer 1977): 39.
Poems. Edinburgh and London: Agneau 2, 1982: 274.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 274.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 274.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 274.

Bolt’. In the sequence ‘Vernal Aspects’.
– as ‘Week 6: Bolt’. Grosseteste Review, Vol. 10 No. 1–4 (Summer 1977): 40.
Poems. Edinburgh and London: Agneau 2, 1982: 274.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 274.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 274.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 274.

News of Warring Clans.
News of Warring Clans. London: Trigram Press, 1977. [n.p.] [poem in 16 sections: sequentially, 11 one-page sections, 1 two-page section, 2 one-page sections, 1 three-page section and 1 one-page section; plus 3 pages of illustration and an epigraph page].
Du Nouveau dans la guerre des clans. [French translation of News of Warring Clans, by B. Dubourg and J. H. Prynne] Damazan (Lot-et-Garonne): privately printed, 1980. [n.p.] [poem in 16 sections: sequentially, 1 one-page section, 3 pages with two sections per page, 4 one-page sections, 1 two-page section with another section included on the second page, 1 one-page section, 1 two-page section and 1 one-page section; plus an epigraph page].
Banana Split, 4 (May 1981; eds. Liliane Giraudon and Jean-Jacques Viton, Aix-en-Provence): 117–31 [French translation of News of Warring Clans, by B. Dubourg and J.H. Prynne].
– excerpts, [the first and last poems] of the original sequence (i.e., J.H. Prynne, Poems [2015]: p. 276 and p. 285 line 29 – p. 286), published in Padma, 1 (c. 1981: ‘Matrix Issue’; ed. Donald Powell, Pocatello, Idaho): 88.
Poems. Edinburgh and London: Agneau 2, 1982: 275–88.
– an excerpt, from pp. [11]–[13] of the original sequence (i.e., J.H. Prynne, Poems [2015]: p. 281 line 7 – p. 282 line 34), published in A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 267–69.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 275–86.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 275–86.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 275–86.

‘Stay Where You Are’.
Poems. Edinburgh and London: Agneau 2, 1982: 290.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 288.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 288.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 288.

‘Tortrix’.
Ochre, 6 ([n.d., c. 1979]; eds. Ralph Hawkins and Charles Ingham, [Oxford]): [n.p.].
Poems. Edinburgh and London: Agneau 2, 1982: 291–92.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 289–90.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 289–90.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 289–90.

‘Use Your Loaf’.
Poems. Edinburgh and London: Agneau 2, 1982: 293.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 291.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 291.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 291.

‘Pullman’.
Poems. Edinburgh and London: Agneau 2, 1982: 294.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 292.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 292.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 292.

Down where changed.
Down where changed. London: Ferry Press, 1979.
– excerpts, pp. 17, 19, 21, 24, 38, and 26 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 299 bottom, 300 bottom, 301 bottom, 303 top, 308 bottom, and 303 bottom [final stanza]), published in Padma, 1 (c. 1981: ‘Matrix Issue’; ed. Donald Powell, Pocatello, Idaho): 89–90.
Poems. Edinburgh and London: Agneau 2, 1982: 295–313.
– excerpts, pp. 7, 18, 21, 23, 24 and 42 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 294, 300 top, 301 bottom, 302 bottom, 303 top, 310 bottom), published in Poesi, 3/4 (1985; Bekkestua, Norway): 98 [Norwegian translations by Torleiv Grue].
– an excerpt, pp. 25–30 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 303 middle – 305 top), published in A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 269–71.
– excerpts, pp. 7, 18, 21, 23, 24, 28, 29 and 42 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 294, 300 top, 301 bottom, 302 bottom, 303 top, 304 middle and bottom, 310 bottom), translated in Sand og Kobber. [Norwegian translation of selected poems, by Torleiv Grue] Oslo: Forlaget Oktober, 1989: 45–54.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 293–310.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 293–310.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 95–132.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 96–131.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 293–310.

The Oval Window.
The Oval Window. Cambridge: privately printed (distributed through DS (The Book Shop)), 1983.
– an excerpt, pp. 23–24 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 328–29), published in A Various Art, eds. Andrew Crozier and Tim Longville. Manchester: Carcanet Press, 1987: 271–72.
– an excerpt, pp. 31–32 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 336–37), translated in Sand og Kobber. [Norwegian translation of selected poems, by Torleiv Grue] Oslo: Forlaget Oktober, 1989: 55–58.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 311–39.
The Oval Window. [unaltered reprint of the 1983 text, designed by Ian Friend] Brisbane: Brisbane City Council, 2002.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 311–39.
– excerpts, pp. 26–27 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 331–32), published in River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 42–43 [in English].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 311–39.
The Oval Window: A New Annotated Edition, eds. N.H. Reeve and Richard Kerridge. [unaltered reprint of the 1983 text; the 1983 text annotated by N.H. Reeve; critical essays by Reeve and Richard Kerridge; and photographs and notes by the author] Hexham, Northumberland: Bloodaxe Books, 2018.

‘Fool’s Bracelet’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 5.
High on the Walls: An Anthology Celebrating Twenty-Five Years of Poetry Readings at Morden Tower, ed. Gordon Brown. Newcastle upon Tyne: Morden Tower/Bloodaxe Books, 1990: 110.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 228.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 342.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 342.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 342.

‘No Song No Supper’.
Infolio, 67 (3 April 1987; ed. Tom Raworth, Cambridge). Prynne’s side of the single folded page online at https://web.archive.org/web/20130616091133/http://tomraworth.com/INFOLIO2/images/67b.jpg.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 6–7.
Scripsi, Vol. 4 No. 4 (September 1987): [unknown page numbers].
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 228–29.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 343–44.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 343–44.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 343–44.

‘Rates of Return’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 8.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 229.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 345.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 345.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 345.

‘Stamp Duty’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 9.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 230.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 346.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 346.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 153–54 [German translations (bilingual edition) by, respectively, Franz Josef Czernin, Ulf Stolterfoht and Elke Erb].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 346.

‘Marzipan’.
Rolling Stock, 10 (October 1985): 26.
Marzipan. [with ‘Massepain’, French translation of ‘Marzipan’, by B. Dubourg and J. H. Prynne] Cambridge: Poetical Histories, 2; printed and distributed by Peter Riley (Books), 1986: [n.p.] [‘Marzipan’ on 2 pages, followed by ‘Massepain’ on 2 pages].
Equofinality, 3 (Spring/Summer 1986; eds. Rod Mengham and John Wilkinson): 11–12.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 10–11.
Scripsi, Vol. 4 No. 4 (September 1987): [unknown page numbers].
Notus, Vol. 3 No. 2 (Fall 1988): 66–67.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 230–31.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 347–48.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 347–48.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 133–38.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 132–37, 139.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 347–48.

‘Listening to All’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 12.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 231.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 349.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 349.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 154–55 [German translations (bilingual edition) by, respectively, Hans Thill and Elke Erb].
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 139.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 138–39.
– ‘A Tailpiece to “Listening to All”’. [Photocopied handouts prepared January 2014 for a discussion at the University of Sussex in March 2014] (Distributed through Barque Press (London) as a special issue of the journal Quid as of July 2014): [n.p.] [first batch of materials, [2]].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 349.

‘Punishment Routines’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 13.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 231.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 350.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 350.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 159–61 [German translations (bilingual edition) by, respectively, Hans Thill and Birgit Kempker].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 350.

‘In the Pink’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 14.
Scripsi, Vol. 4 No. 4 (September 1987): [unknown page numbers].
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 232.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 351.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 351.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 351.

‘Lend a Hand’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 15.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 232.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 352.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 352.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 156–57 [German translations (bilingual edition) by, respectively, Elke Erb and Franz Josef Czernin].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 352.

‘Fresh Running Water’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 16.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 232–33.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 353.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 353.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 164–65 [German translation (bilingual edition) by Ulf Stolterfoht].
River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 43–44 [in English].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 353.

‘Almost Lunch-Time’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 17.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 233.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 354.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 354.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 354.

‘Ein Heldenleben’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 18–19.
Scripsi, Vol. 4 No. 4 (September 1987): [unknown page numbers].
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 233–34.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 355.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 355.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 162–63 [German translation (bilingual edition) by Norbert Hummelt].
River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 45–46 [in English].
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 140–43.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 138–43.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 355.

‘Write-Out’.
Infolio, 40 (25 August 1986; ed. Tom Raworth, Cambridge). Prynne’s side of the single folded page online at https://web.archive.org/web/20130616093209/http://tomraworth.com/infolio/images/67.jpg.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 20.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 234.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 356.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 356.
– letterpress print from hand-processed photopolymer plates and hand-set type, 2004. INK-A! Press (designed and printed in Portland, Oregon by Inge Bruggeman, commissioned by Charles Seluzicki, in an edition of 75 copies). Online at http://www.ingebruggeman.com/Write-Out [not sure if this was done with the author’s permission, or knowledge].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 356.

‘Swallow Your Pride’.
Bands Around the Throat. Cambridge: privately printed (distributed through Ferry Press), 1987: 21.
Exact Change Yearbook, 1. Boston and Manchester: Exact Change, 1995: 234.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 357.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 357.
Wozu Vögel, Bücher, Jazz? Poesie aus England, eds. Hans Thill and Gregor Laschen. Heidelberg: Wunderhorn, 2005: 157–59 [German translations (bilingual edition) by, respectively, Elke Erb, Franz Josef Czernin, Hans Thill and Birgit Kempker].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 357.

Word Order.
Word Order. Kenilworth, Warwickshire: Prest Roots Press, 1989.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 359–77.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 359–77.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 144–68.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 144–69.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 359–77.

[Jie ban mi Shi Hu].
– [Jie ban mi Shi Hu]. [reproduced from author-holograph, in original Chinese] Cambridge: Poetical Histories, 22; published and distributed by Peter Riley (Books), 1992 [2nd printing, 2004].
– as ‘Jie ban mi Shi Hu (Poem on Stone Lake)’. Notus, 12 (Spring 1993): 66–67. Author is credited as Pu Ling-en (J.H. Prynne).
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 379–80.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 379–80.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 1.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 379–80.

Not-You.
– an excerpt, p. 16 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 392), published as ‘Seven Tap’ in Poetica, 1 ([Autumn] 1989; ed. Anthony Barnett): 26.
Not-You. Cambridge: Equipage, 1993.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 381–408.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 381–408.
– an excerpt, p. 18 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 394), published in River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 46–47 [in English].
– an excerpt, p. 18 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 394), published in 101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008.
– an excerpt, p. 18 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 394), published in Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 170–73.
– an excerpt, p. 18 of the original sequence [i.e., J.H. Prynne, Poems [2015]: 394], published in Verse Version, Vol. 2 No. 1 (March 2013; chief ed. Zhang Guangkui, [Guangdong, P.R. China]): 64–65. [Chinese translation (bilingual edition) by English Poetry Studies Institute, reprinted from Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 381–408.

‘The Stony Heart of Her’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 3.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 349.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 410.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 410.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 169–70.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 174–77.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 410.

‘What She Saw There’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 4.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 349–50.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 411.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 411.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 171–72.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 176–79.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 411.

‘Then So Much She Did’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 5.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 350–51.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 412.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 412.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 173–74.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 178–81.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 412.

‘Attending Her Aggregate, Detour’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 6.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 351–52.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 413.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 413.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 175–76.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 180–83.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 413.

‘Well Enough in Her Riding After’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 7.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 352.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 414.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 414.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 177–78.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 182–85.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 414.

‘Openly She Counts in the Same’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 8.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 352–53.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 415.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 415.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 179–80.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 184–87.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 415.

‘That Now She Knows’.
Her Weasels Wild Returning. Cambridge: Equipage, 1994: 9.
Conductors of Chaos; A Poetry Anthology, ed. Iain Sinclair. London: Picador, 1996: 353–54.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 416.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 416.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 181–82.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 186–89.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 416.

For the Monogram.
For the Monogram. Cambridge: Equipage, 1997.
Poems. South Fremantle, Western Australia: Fremantle Arts Centre Press / Folio (Salt); Newcastle upon Tyne: Bloodaxe Books, 1999: 417–31.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 417–31.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 417–31.

Red D Gypsum.
Red D Gypsum. Cambridge [Massachusetts]: Barque Press, 1998.
– an excerpt, pp. 8–11 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 438–41), published in Inscape, 5 (Spring 1999; British Poets issue, guest edited by Drew Milne, published for Instress by Leonard Brink, Saratoga, California): [n.p.] [pp. 4].
Furtherance. [unaltered reprint of Red D Gypsum; Pearls That Were; Triodes; Unanswering Rational Shore] Great Barrington, Massachusetts: The Figures, 2004 [printed November 2003]: 9–25.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 433–49.
– an excerpt, pp. 6–10 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 436–40), published in Vanishing Points: New Modernist Poems, eds. Rod Mengham and John Kinsella. Great Wilbraham, Cambridge/Applecross, Western Australia: Salt Publishing, 2004: 217–21.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 433–49.

Pearls That Were.
– an excerpt, [the epigraph] of the original sequence (i.e., J.H. Prynne, Poems [2015]: 453), published in Sneak’s Noise: Poems for R.F. Langley. Cambridge: Infernal Histories / Poetical Methods, 1998: [n.p.] [pp. 1, first in the collection, reproduced from author-holograph].
Pearls That Were. Cambridge: privately printed (distributed through Equipage), 1999. [n.p.] [poem in 20 one-page sections and an epigraph page].
– excerpts [the first 11 poems from the original sequence (i.e., J.H. Prynne, Poems (2015): 455–64] from a French translation, Perles qui furent, by Pierre Alferi published in Quaderno, 4 (Autumn 1999): [unknown page numbers].
– excerpts [unknown pages] from a French translation, Perles qui furent, by Pierre Alferi published in Quaderno, 5 (March/May 2000): [unknown page numbers].
Zou jin Jian-qiao: er shi shi ji Ying Mei shi ge jingo xuan. [ = Selected Readings of 20th Century English and American Poetry, translated by Zhimin Li; contains Pearls That Were in English and in Chinese translation, also includes audio CD and VCD recordings of author-reading of this work] Guangzhou [P.R. China]: Guangdong shoeing yu yan yin xiang chi ban she, 2003: 196–237; CD 2, track 15 [16.50 min.]; VCD track 16 [unknown timing].
Furtherance. [unaltered reprint of Red D Gypsum; Pearls That Were; Triodes; Unanswering Rational Shore] Great Barrington, Massachusetts: The Figures, 2004 [printed November 2003]: 27–50.
World Literature, No. 6 (2005; P.R. China): [unknown page numbers]. [Chinese translation by Li Zhimin].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 451–74.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 183–206.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 190–219.
– an excerpt, [the epigraph] and [the first poem] from the original sequence [i.e., J.H. Prynne, Poems [2015]: 453 and 455], published in Verse Version, Vol. 2 No. 1 (March 2013; chief ed. Zhang Guangkui, [Guangdong, P.R. China]): 66–67. [Chinese translation (bilingual edition) by English Poetry Studies Institute, reprinted from Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong].
Perles qui furent. [French translation (bilingual edition) of Pearls That Were, by Pierre Alferi] Marseille: Éric Pesty Éditeur, 2013: III–XXIV [in French], 3–24 [in English].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 451–74.

Triodes.
Triodes. Cambridge: Barque Press, 1999.
Furtherance. [unaltered reprint of Red D Gypsum; Pearls That Were; Triodes; Unanswering Rational Shore] Great Barrington, Massachusetts: The Figures, 2004 [printed November 2003]: 51–88.
– two excerpts, p. 21, lines 1–8, of the original sequence (i.e., J.H. Prynne, Poems [2015]: 495, lines 1–8) and p. 40 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 512), published in The Guardian (Saturday 10 April 2004): 37 [in the series ‘The Saturday poem’].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 477–514.
– an excerpt, p. 34 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 506), published in River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 48 [in English].
– an excerpt, p. 13 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 489)], translated into Swedish by Martin Bergqvist, published in Subaltern, 1–2 (2011; Umeå, Sweden): 83. [The full section, featuring an introduction and translations of Prynne’s poetry by Martin Bergqvist, is pp. 72–83].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 477–514.

Unanswering Rational Shore.
Unanswering Rational Shore. Glasgow: Object Permanence, 2001. [n.p.] [poem in 14 one-page sections and an epigraph page].
– an excerpt, the first half of the sequence (i.e., J.H. Prynne, Poems [2015]: 519–25), published in Square One, 1 (Spring 2003): 14–15.
Furtherance. [unaltered reprint of Red D Gypsum; Pearls That Were; Triodes; Unanswering Rational Shore] Great Barrington, Massachusetts: The Figures, 2004 [printed November 2003]: 91–107.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 517–33.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 517–33.

Acrylic Tips.
Acrylic Tips. Cambridge: Barque Press, 2002.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 535–46.
– an excerpt, p. 11 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 541), published in River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 48–49 [in English].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 535–46.

Biting the Air.
Biting the Air. Cambridge: Equipage, 2003. [n.p.] [poem in 12 one-page sections and an epigraph page].
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 549–64.
Poems | Gedichte. [German translation (bilingual edition) of selected poems, by Ulf Stolterfoht and Hans Thill] Heidelberg: Verlag das Wunderhorn, 2007: 22–45 [this poem sequence translated by Hans Thill].
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 207–30.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 220–43.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 549–64.

Blue Slides at Rest.
Poems. North Fremantle, Western Australia: Fremantle Arts Centre Press; Tarset, Northumberland: Bloodaxe Books, 2005: 565–75.
River Pearls [bilingual anthology], ed. Ou Hong. Guangzhou: English Poetry Studies Institute, Sun Yat-sen University / Great Britain: Barque Press, 2005: 50–59 [in English].
Poems | Gedichte. [German translation (bilingual edition) of selected poems, by Ulf Stolterfoht and Hans Thill] Heidelberg: Verlag das Wunderhorn, 2007: 46–65 [this poem sequence translated by Ulf Stolterfoht].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 565–75.

‘Refuse Collection’.
Quid, 13 (2004: IRA QUID; ed. Keston Sutherland): [n.p.] [pp. 4]. An excerpt, the first two stanzas of the poem, also online at http://www.barquepress.com/quid.php?i=19&s=p.
– previously online in full at http://www.dispatx.com/show/item.php?item=1030 as of 2004 [as the first part of ‘Three Pieces’ on the theme ‘The Plague of Language’].
…in blossoms atop reeds it flares, ed. Chris Brownsword. Sheffield: Broken Compass Press, 2006: 16–19.
101 Poems. [Chinese translation (bilingual edition) of selected poems, by Zhimin Li (and others?)] Guangzhou: English Poetry Studies Institute, 2008: 231–38.
Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong. [Chinese translation (bilingual edition) by English Poetry Studies Institute] Guangzhou: Zhongshan da xue chu ban she, 2010: 244–53.
– an excerpt, the first two stanzas of the poem [i.e., J.H. Prynne, Poems [2015]: 578, lines 1–31], published in Verse Version, Vol. 2 No. 1 (March 2013; chief ed. Zhang Guangkui, [Guangdong, P.R. China]): 68–69. [Chinese translation (bilingual edition) by English Poetry Studies Institute, reprinted from Pu Ling-en shi xuan: Han Ying dui zhao [ = Selected Poems by J.H. Prynne], ed. Ou Hong].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 577–80.

To Pollen.
To Pollen. London: Barque Press, 2006 [2nd printing, 2009]. Also online at http://www.barquepress.com/media/23/pdf/j_h_prynne_to_pollen.pdf.
– an excerpt, pp. 5–8 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 582–83), translated into French by Abigail Lang, published in Ligne 13, 1 (Spring 2010): 29–32. Followed by a postface by Abigail Lang [pp. 33–36].
– an excerpt, pp. 20–26 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 589 bottom – 592), translated into French by Abigail Lang, published in Écrire l’histoire, 12 (December 2013): 99–102 [Lang’s introduction on pp. 97–98].
– an excerpt, p. 5 of the original sequence (i.e., J.H. Prynne, Poems [2015]: 582 top), translated into French by Abigail Lang, published in Abigail Lang, ‘Translating To Pollen’. Hix Eros, 4 (September 2014/print edition April 2015: On the Late Poetry of J.H. Prynne; eds. Joe Luna and Jow Lindsay Walton): 113–21 [121]. Lang’s essay is online at https://www.dropbox.com/s/rt3seaqjsyqmqnd/HIX%20EROS%204%20Prynne%20Special.pdf?dl=0.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 581–92.
Au pollen. [French translation of To Pollen, by Abigail Lang] Marseille: Éric Pesty Éditeur, 2021.

Streak~~~Willing~~~Entourage / ‘Artesian’.
Streak~~~Willing~~~Entourage / ‘Artesian’. London: Barque Press, 2009.
– excerpts, pp. 1, 3 and 7 of the original sequence (i.e. J.H. Prynne, Poems [2015]: 595, 597 and 601), published in Cambridge Literary Review, Vol. 1 No. 1 (Michaelmas 2009): 36–38.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 593–606.

‘As Mouth Blindness’.
Sub  Songs. London: Barque Press, 2010: 5–6.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 609–10.

‘Creosote Damping’.
Sub  Songs. London: Barque Press, 2010: 7–8.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 611–12.

‘In Forge Incremental’.
Sub  Songs. London: Barque Press, 2010: 9–10.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 613–14.

‘Riding Fine Off’.
Sub  Songs. London: Barque Press, 2010: 11–12.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 615–16.

‘Accept on Probate’.
Sub  Songs. London: Barque Press, 2010: 13–14.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 617–18.

‘These Nothing Like’.
Sub  Songs. London: Barque Press, 2010: 15–17.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 619–21.

‘Thus to Look’.
Sub  Songs. London: Barque Press, 2010: 18.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 622.

‘Skim for Either One’.
Sub  Songs. London: Barque Press, 2010: 19–20.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 623–24.

‘Along the Wall’.
Sub  Songs. London: Barque Press, 2010: 21–22.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 625–26.

‘Frag (1)’.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 629.

‘Frag (2)’.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 629.

‘Never the Same’.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 630–32.

‘They Take What’.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 633.

‘Stub-Para’.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 634–35.

‘Alveolar Shunts’.
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 636.

Kazoo Dreamboats; or, On What There Is.
Kazoo Dreamboats; or, On What There Is. Cambridge: Critical Documents, 2011.
Kazoo Dreamboats; or, On What There Is [2nd printing]. Shenzhen (P.R. China): privately printed, 2012. [This 2nd printing, with the cover printed on blue paper, was produced and distributed [in a print run of 30–40 copies] at The Third National Conference on English Poetry Studies, sponsored by EPSAC (English Poetry Studies Association of China), and hosted by Shenzhen University (Shenzhen, P.R. China) during December 20th to 22nd of 2012].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 637–62.

‘Guessed’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 664.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 40–41 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].

‘Truth’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 665.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 41 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz]. Also, in the same journal, an excerpt from this translation, lines 4–15, published in Silvia Eugenia Castillero, ‘Del orden inglés a la exuberancia mexicana’: 303–305 [304].

‘Reach Up’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 666.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 42 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].

‘Morning’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 667.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 43 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].
Paris Review, 218 (Fall 2016): 210.

‘Hour-glass’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 668.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 44 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].

‘Infusion’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 669.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 44–45 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].

‘Subsequence’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 670.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 46 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].

‘For Tom’.
Al-Dente. Cambridge: Face Press, 2014 [2nd printing, 2015]: [n.p.] [pp. 1].
Poems. Hexham, Northumberland: Bloodaxe Books, 2015: 671.
Lumina, 81 (Winter 2015; ed. José Israel Carranza, Universidad de Guadalajara, México): 46–47 [Spanish translation (bilingual edition) by Héctor Ortiz and Víctor Ortiz].
Paris Review, 218 (Fall 2016): 211.

‘Cartoon’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Tread-Over’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Hankering’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Relievo’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Will-Given’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Digress’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Payment’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Un-Listed’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Permission’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Ground-Up’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Travertine’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘In-Fail’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Attenuate’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Oh-Brow’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Sweetness’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Generate’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Set-Price’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Singular’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Acute-Yet’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘The-Troop’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Below-Cost’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘Whether-So’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘En-Voy’.
Each to Each. Cambridge: Equipage, 2017: [n.p.] [pp. 1].

‘ABYSS : 1’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 2’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 3’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 4’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 5’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 6’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 7’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 8’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 9’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘ABYSS : 10’.
OF · THE · ABYSS. Cambridge: Materials, April 2017: [n.p.] [pp. 1].

‘All Such to Life’.
Or Scissel. Bristol: Shearsman Books, 2018: 5.
– the first two quatrains, without a title, published in According to John James: A poem with many authors, ed. Kelvin Corcoran. Bristol: Shearsman Books, 2018: [n.p.] [pp. 1]. The book-length poem begins and end with the first eight lines from John James, ‘A Theory of Poetry’, which 28 poets respond to with two quatrains each. The poets, in order of their contributions, are Kelvin Corcoran, Simon Perril, John Hall, Peter Riley, John Temple, Alan Halsey, Ian Patterson, John Wilkinson, Andrew Duncan, Denise Riley, Karlien van den Beukel, Peter Hughes, Gavin Selerie, John Goodby, Simon Smith, Geoff Ward, Anthony Mellors, Anthony Barnett, Lyndon Davies, Tony Lopez, Nick Totton, Chris Cornwell, Linda Kemp, Cliff Yates, Robert Vas Dias, Mark Leahy, J.H. Prynne and Romana Huk. The cover consists of artist Bruce McLean’s response.

‘Close Shorn’.
Or Scissel. Bristol: Shearsman Books, 2018: 6.

‘Sweet Vernal’.
Or Scissel. Bristol: Shearsman Books, 2018: 7.

‘Beyond Doubt’.
Or Scissel. Bristol: Shearsman Books, 2018: 8–9.

‘To Eye Apart’.
Or Scissel. Bristol: Shearsman Books, 2018: 10.

‘Platform’.
Paris Review, 218 (Fall 2016): 209. Online at http://www.theparisreview.org/poetry/6823/platform-j-h-prynne.
Or Scissel. Bristol: Shearsman Books, 2018: 11.

‘For the Traverse’.
Or Scissel. Bristol: Shearsman Books, 2018: 12.

‘Others Will’.
Or Scissel. Bristol: Shearsman Books, 2018: 13.

‘Each New Retort’.
Or Scissel. Bristol: Shearsman Books, 2018: 14.

‘Dashboard Flowing’.
Or Scissel. Bristol: Shearsman Books, 2018: 15.

‘Darting’.
Or Scissel. Bristol: Shearsman Books, 2018: 16.

‘Not Far’.
Or Scissel. Bristol: Shearsman Books, 2018: 17.

‘Wait to Arrive’.
Or Scissel. Bristol: Shearsman Books, 2018: 18.

‘Last Pressure Outcry’.
Or Scissel. Bristol: Shearsman Books, 2018: 19.

‘Nor Than’.
Or Scissel. Bristol: Shearsman Books, 2018: 20.

‘How Smart We Are’.
Or Scissel. Bristol: Shearsman Books, 2018: 21.

‘Queue Up’.
Or Scissel. Bristol: Shearsman Books, 2018: 22.

‘Cut and Stitch’.
Or Scissel. Bristol: Shearsman Books, 2018: 23.

‘Yet Why Not’.
Paris Review, 218 (Fall 2016): 208.
Or Scissel. Bristol: Shearsman Books, 2018: 24.

‘Lark Advent’.
Or Scissel. Bristol: Shearsman Books, 2018: 25.

‘Zinc Option’.
Or Scissel. Bristol: Shearsman Books, 2018: 26.

‘Main–Stream’.
Or Scissel. Bristol: Shearsman Books, 2018: 27.

‘In a Plan’.
Or Scissel. Bristol: Shearsman Books, 2018: 28.

‘Throat Notation’.
Or Scissel. Bristol: Shearsman Books, 2018: 29.

‘Entitlement’.
Or Scissel. Bristol: Shearsman Books, 2018: 30.

‘Keep Alive’.
Or Scissel. Bristol: Shearsman Books, 2018: 31.

‘Overlay Sash’.
Or Scissel. Bristol: Shearsman Books, 2018: 32.

‘Chant Measure’.
Or Scissel. Bristol: Shearsman Books, 2018: 33.

‘We Do’.
Or Scissel. Bristol: Shearsman Books, 2018: 34.

‘Follow Turmoil’.
Or Scissel. Bristol: Shearsman Books, 2018: 35.

‘The Way, Forward’.
Or Scissel. Bristol: Shearsman Books, 2018: 36.

‘To Them’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: page insert, dated 18th March 2019, between colophon and final two epigraphs [i.e., between pp. [4] and [5]].
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: page insert, dated 18th March 2019, between colophon and final two epigraphs [i.e., between pp. [4] and [5]].

‘Lesser Fine Antidote’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 9.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 9. 

‘Merchant to Purchase’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 10.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 10.

‘Finding Where Joined’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 11.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 11.

‘Not Yet So Soon’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 12.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 12.

‘At the Goose Window’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 13.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 13.

‘Upset Past Foreign’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 14.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 14.

‘Florid Largesse’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 15.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 15.

‘Accumulate in Fortune’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 16.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 16.

‘Inspect to Leap’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 17.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 17.

‘Dear Heart Unlikely’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 18.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 18.

‘Separate Tackle Benefit’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 19.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 19.

‘Dainty Fine Trill’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 20.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 20.

‘Top Silver Deliver’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 21. [An errata slip, dated 9th April 2019, notes two corrections].
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 21.

‘Say Pieces Enjoined’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 22.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 22.

‘Liquid Persistence’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 23.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 23.

‘Watch and Ward’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 24.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 24.

‘Deputed Head Start’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 25.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 25.

‘To Tweet for Profit’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 26.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 26.

‘Daze Trophy Safeguard’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 27.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 27.

‘Give Out and Finish’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 28.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 28.

‘Familiar Left Hand’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 29.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 29.

‘Draconian Held Tight’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 30.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 30.

‘Deep Pure Rosin’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 31.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 31.

‘Circuit Where They Roam’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 32.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 32.

‘Or How Next Too’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 33.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 33.

‘Intruded Nullity’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 34.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 34.

‘Not Too Late’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 35.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 35.

‘Harmonic Cuneiform’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 36.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 36.

‘Gratin Pause Understate’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 37.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 37.

‘Ingest by Patronage’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 38.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 38.

‘Attending with Conscience’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 39.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 39.

‘Rouse, Trapeze’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 40.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 40.

‘Vengeful as Mollify’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 41.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 41.

‘Hunger Past Greed’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 42.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 42.

‘Fast Cramp’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 43.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 43.

‘Love Part Stubborn’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 44.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 44.

‘Yield Freely Undulate’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 45.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 45.

‘Scarce Leafage’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 46.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 46.

‘Before Vestige’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 47.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 47.

‘Evermost True’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 48.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 48.

‘Dark and Better’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 49.

‘Manifold Pleat’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 50.

‘In Ascent Grimace’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 51.

‘Told in Climax’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 52.

‘Fort in Fault’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 53.

‘Telling Not Broken’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 54.

‘Instinct Low Incur’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 55.

‘Carum carvi’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 56.

‘Better Induce’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 57.

‘Search in Troy’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 58.

‘Coolant Arrest’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 59.

‘Tight Ever Set’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 60.

‘Cut to Fit’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 61.

‘Soon Allowance’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 62.

‘Flop Tremor’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 63.

‘Lure’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 64.

‘Dire’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 64.

‘Collected Wharf Now’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 65.

‘Prevent Satisfy’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 66.

‘Addle Bird’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 49.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 67.

‘Conversance’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 50–51.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 68–69.

‘Dana : Pers : Dana’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 70–71.

‘Onset One’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 72.

‘Soon Darker’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 73.

‘Is Drawn’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 74.

‘Honour Page’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 75.

‘Edge Causeway’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 76.

‘All Will Clarify’.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 77.

‘Land Flown So Few’.
Of Better Scrap. Cambridge: Face Press, [April] 2019: 52.
Of Better Scrap [2nd, expanded and corrected, ed.]. Cambridge: Face Press, October 2019: 78.

‘Her Vacant Interlunar Cave’.
Earthbound Poetry Series, Vol. 1, No. 3, 20 January 2020, ed. Ian Heames (London: Earthbound Press, 2020 [four printings]): [n.p.] [pp. 2].
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘And Almost Life Itself’.
Earthbound Poetry Series, Vol. 1, No. 3, 20 January 2020, ed. Ian Heames (London: Earthbound Press, 2020 [four printings]): [n.p.] [pp. 2].
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

Parkland.
Parkland. Cambridge: Critical Documents, 2019 [printed March 2020] [pp. 58].

‘Exempt Provision’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 49.

‘Divide, Remain’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 50.

‘Flight Pathway’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 51.

‘Enough Conversion’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 52.

‘Another More Dense’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 53.

‘Extend Forgiveness’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 54.

‘Play to Will’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 55.

‘Owl to Maple’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 56.

‘So After Another’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 57.

‘Wall Germinate’.
Bitter Honey. [Talgarreg, Wales]: Legitimate Snack [an imprint of Broken Sleep Books], [May] 2020: [n.p.] [pp. 1].
Snackbox: Selected Legitimate Snacks, Seasons 1 & 2, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, [September] 2021: 58.

‘In Note Attended’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 7.

‘Sealed to Fly’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 8.

‘Unto Greek Fire’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 9.

‘To Banbury Cross’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 10.

‘Or but Invaded’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 11.

‘How to Say’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 12.

‘Water Evidence’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 13.

‘Go or Shall’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 14.

‘Imbricate Research’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 15.

‘Empire Purge’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 16.

‘Issue Bract Feather’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 17.

‘Indignant Rant Often’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 18.

‘Intimate Hoarding’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 19.

‘Flout the Rule’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 20.

‘Motivate Hurtful’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 21.

‘Sent from Away’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 22.

‘Six Leaves Rush’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 23.

‘Fine Chert Bruised’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 24.

‘Momentary Once Fled’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 25.

‘At Ankle Winkle’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 26.

‘Icing Sugar’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 27.

‘Enough as Good’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 28.

‘Vital Crystallize’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 29.

‘Allotted Micro Dapple’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 30.

‘Voice Testing’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 31.

‘In Torque Reduce’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 32.

‘Heat Point Artful’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 33.

‘Radiant Star Fish’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 34.

‘Seditious Ice-Cream’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 35.

‘All Blink Supper’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 36.

‘Yield Dazzlement Lift’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 37.

‘As If Adept’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 38.

‘As Many Tarry’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 39.

‘Forward Steward’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 40.

‘Cant Recruit Disputed’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 41.

‘Not Far to Roam’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 42.

‘Then Set My Eyes’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 43.

‘Sugar Indented’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 44.

‘Gram Positive’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 45.

‘Vanessa Cardui’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 46.

‘Human for Interest’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 47.

‘In Fine Balance’.
Squeezed White Noise. Cambridge: Face Press, [June] 2020: 48.

‘Memory Working: Impromptu I’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 3].

‘Memory Working: Impromptu II’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu III’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu IV’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu V’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu VI’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu VII’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu VIII’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu IX’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu X’.
Memory Working: Impromptus. Cambridge: Face Press, June 2020: [n.p.] [pp. 2].

‘Thine Forgive Mine’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Girt with the River’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Hungry and Cold’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘His Flight, Aloft’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Rakt with Deep’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Count in Motion’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Fond Palms’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Into Sudden Flame’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Hesperus That Led’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Escap’d the Deep’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Pass, To Reach’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

‘Loath to Depart’.
Enchanter’s Nightshade. Cambridge: Face Press, 27 June 2020: [n.p.].

Her Air Fallen.
– Her Air Fallen. Cambridge: Critical Documents, 2020 [printed July 2020].

‘To This Troop’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 1.

‘Come Not Near’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 2.

‘From This Session’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 3.

‘Of Tyrant Wing’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 4.

‘Save the Eagle’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 5.

‘Lack His Right’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 6.

‘With the Breath’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 7.

‘Shalt Thou Go’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 8.

‘Doth Commence’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 9.

‘Flame from Hence’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 10.

‘Had the Essence’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 11.

‘But in One’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 12.

‘Number There’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 13.

‘Hearts Remote’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 14.

‘No Space Was’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 15.

‘Either Was’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 16.

‘Nature’s Double Name’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 17.

‘Division Grow Together’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 18.

‘Yet Either Neither’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 19.

‘Can So Remain’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 20.

‘Stars of Love’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 21.

‘In All Simplicity’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 22.

‘But Cannot Be’.
The Fever’s End. Cambridge: Critical Documents, 2020 [written circa May 2020, printed September 2020]: 23.

‘Moss for Spur’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 7.

‘Prevail to Link’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 8.

‘Fair to Well’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 9.

‘Discreet Bivalve’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 10.

‘Limit Gamut’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 11.

‘Relieve Amber’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 12.

‘Piper Three’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 13.

‘Annex Still’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 14.

‘Thin Into’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 15.

‘Rifle Attract’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 16.

‘Oblique, Fleecy’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 17.

‘Intensive Occupy’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 18.

‘Cavort Furnish’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 19.

‘Skillet Nacreous’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 20.

‘Ravel Porphyry’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 21.

‘Monitor Prophet’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 22.

‘Along Natural’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 23.

‘Taste Wounded’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 24.

‘Dare Up’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 25.

‘Profuse Average’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 26.

‘Doorway Happen’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 27.

‘More Frugal’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 28.

‘Eminent League’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 29.

‘Mandolin In’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 30.

‘Garden Brain’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 31.

‘That Day’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 32.

‘If Too’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 33.

‘Set About’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 34.

‘Inward Morris’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 35.

‘Cancel Festoon’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 36.

‘Walk Along’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 37.

‘Fetch Traffic’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 38.

‘Cede Ahead’.
None Yet More Willing Told. Cambridge: Face Press, December 2019 [printed November 2020]: 39.

‘Damson’.
Orchard. Cambridge: Equipage, December 2020: 1.

‘Pear’.
Orchard. Cambridge: Equipage, December 2020: 2.

‘Cherry’.
Orchard. Cambridge: Equipage, December 2020: 3.

‘Bramble’.
Orchard. Cambridge: Equipage, December 2020: 4.

‘Orange’.
Orchard. Cambridge: Equipage, December 2020: 5.

‘Apple’.
Orchard. Cambridge: Equipage, December 2020: 6.

‘Plum’.
Orchard. Cambridge: Equipage, December 2020: 7.
The Plum Review, ed. Aaron Kent. Talgarreg, Wales: Broken Sleep Books, 2022: 31.

‘Currant’.
Orchard. Cambridge: Equipage, December 2020: 8.

‘Goose-Gog’.
Orchard. Cambridge: Equipage, December 2020: 9.

‘Apricot’.
Orchard. Cambridge: Equipage, December 2020: 10.

‘Peach’.
Orchard. Cambridge: Equipage, December 2020: 11.

‘Melon’.
Orchard. Cambridge: Equipage, December 2020: 12.

‘Green-Gage’.
Orchard. Cambridge: Equipage, December 2020: 13.

‘Morello’.
Orchard. Cambridge: Equipage, December 2020: 14.

‘Raspberry’.
Orchard. Cambridge: Equipage, December 2020: 15.

‘Strawberry’.
Orchard. Cambridge: Equipage, December 2020: 16.

‘Lemon’.
Orchard. Cambridge: Equipage, December 2020: 17.

‘Mulberry’.
Orchard. Cambridge: Equipage, December 2020: 18.

‘Prune’.
Orchard. Cambridge: Equipage, December 2020: 19.

‘Quince’.
Orchard. Cambridge: Equipage, December 2020: 20.

‘Fig’.
Orchard. Cambridge: Equipage, December 2020: 21.

‘Medlar’.
Orchard. Cambridge: Equipage, December 2020: 22.

‘Nectarine’.
Orchard. Cambridge: Equipage, December 2020: 23.

‘Lime’.
Orchard. Cambridge: Equipage, December 2020: 24.

‘Grapes’.
Orchard. Cambridge: Equipage, December 2020: 25.

‘In First Tuft’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 9.

‘Again Sea Fume’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 10.

‘Left Over Leaf’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 11.

‘Infused Collusion’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 12.

‘Downcast in Case’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 13.

‘Calculate Omission’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 14.

‘Scar Circus Friction’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 15.

‘Docket Alight’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 16.

‘Slight Breath’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 17.

‘Sow in Sour’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 18.

‘Tomorrow Canyon’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 19.

‘Guardian Fitting’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 20.

‘Contrail Caramel’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 21.

‘Slight Pestilent’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 22.

‘Charcoal Negation’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 23.

‘Impulsive Character’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 24.

‘Nowhere Else Kindred’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 25.

‘Tolerance Trillium’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 26.

‘Valid Denial Bribe’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 27.

‘Stricken Divan’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 28.

‘Spice Gross Posted’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 29.

‘Sea Planet Gained’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 30.

‘Fleece Truce Spicebox’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 31.

‘Foliate Discretion’.
Passing Grass Parnassus. Cambridge: Face Press, December 2020: 32.

‘Welcome Handcart’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Chub Shoal’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Thicket Slice’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Duck Pictured’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘In Reparation’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Wash-Fast Lustre’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Obvious for Kestrel’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Of Streamy Morven’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Brim on Dolphin’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Here Lies, Mended’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Ode for Jay’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Retentive Profile’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Braces Dangle’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Apt Freestone’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Cross Provident’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Knack in Best’.
Aquatic Hocquets. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Memory Working: Impromptu XI’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu XII’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu XIII’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu XIV’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu XV’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu XVI’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘Memory Working: Impromptu XVII’.
Memory Working: Impromptus (XI–XVII). Cambridge: Face Press, December 2020: [n.p.] [pp. 2].

‘[:   a dream needle creates its new chance, . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 5.

‘[:   in bleak cold winter bees cluster, kids . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 6.

‘[:   awesome in pin option sharpen for bright . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 7.

‘[:   all careless love cloud above, horizon . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 8.

‘[:   crack corn several darnel, early in morn . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 9.

‘[:   key in this lock not for ever, will better . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 10.

‘[:   thus taken in warning notorious stranger . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 11.

‘[:   one fine day desprez à fleur jaune hangs . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 12.

‘[:   by mild rewarding belt sized, seen told . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 13.

‘[:   pick up your mat lying lost to repute . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 14.

‘[:   prop slide distinct with milk insertion . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 15.

‘[:   doze to dozen zazen wake lark upward song . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 16.

‘[:   other than one, interferon term excepted . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 17.

‘[:   either window thrown open, amaze gazing . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 18.

‘[:   for upswing gaelic retrospect, ye shining . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 19.

‘[:   deceive fervid for languid anyway, proof . . .]’.
Kernels in Vernal Silence. Cambridge: Face Press, [December] 2020: 20.

Torrid Auspicious Quartz.
Torrid Auspicious Quartz. Cambridge: Face Press, December 2020.

‘See By So’.
See By So. Cambridge: Face Press, December 2020. [n.p.] [poem in 8 one-page sections and an epigraph on the title page].
SNOW lit rev, 9 (Spring 2021; eds. Anthony Barnett and Ian Brinton): 72–76.

‘Deck 1’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 2’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 3’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 4’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 5’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 6’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 7’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 8’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 9’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘Deck 10’.
Duets Infer Duty. Cambridge: Face Press, December 2020: [n.p.] [pp. 1].

‘-1-’.
Presume Catkins. Talgarreg, Wales: Secret Sleep Books [an imprint of Broken Sleep Books], [March] 2021: 8–9.

‘-2-’.
Presume Catkins. Talgarreg, Wales: Secret Sleep Books [an imprint of Broken Sleep Books], [March] 2021: 10–11.

‘-3-’.
Presume Catkins. Talgarreg, Wales: Secret Sleep Books [an imprint of Broken Sleep Books], [March] 2021: 12–13.

‘-4-’.
Presume Catkins. Talgarreg, Wales: Secret Sleep Books [an imprint of Broken Sleep Books], [March] 2021: 14–15.

‘-5-’.
Presume Catkins. Talgarreg, Wales: Secret Sleep Books [an imprint of Broken Sleep Books], [March] 2021: 16–17.

‘-6-’.
Presume Catkins. Talgarreg, Wales: Secret Sleep Books [an imprint of Broken Sleep Books], [March] 2021: 18–19.

‘Radiant in Moment’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 1.

‘Another Such Instance’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 2.

‘Into Reflection’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 3.

‘Inshore Horizon’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 4.

‘Inset, Beside’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 5.

‘Entrance Transept’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 6.

‘Whether So Now’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 7.

‘Ahead for Livery’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 8.

‘Doric Orbital’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 9.

‘Pawl Next Implored’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 10.

‘Live Party Symptom’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 11.

‘Heard Owls Hoot’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 12.

‘Sans Fear Previous’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 13.

‘No Place for Ideas’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 14.

‘Nautical, Aspic’.
Otherhood Imminent Profusion. Cambridge: Critical Documents, 2020 [written September 2020, printed March 2021]: 15.

Athwart Apron Snaps.
Athwart Apron Snaps. Seoul, South Korea: slub press, [March] 2021.

‘MANIFESTED’.
Cambridge Literary Review, 13 (Easter 2021: ‘Resistance’): 153.

Efflux Reference.
Efflux Reference. Cambridge: Face Press, June 2021 [dated 20 June 2021].

Dune Quail Eggs.
Dune Quail Eggs. Cambridge: Face Press, 2021.

Lay Them Straight.
Lay Them Straight. Cambridge: Face Press, 2021.

Snooty Tipoffs.
Snooty Tipoffs. Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XVIII’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XIX’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XX’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XXI’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XXII’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XXIII’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XXIV’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XXV’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘Memory Working: Impromptu XXVI’.
Memory Working: Impromptus (XVIII–XXVI). Cambridge: Face Press, 2021.

‘I’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 9–10.

‘II’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 11.

‘III’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 12.

‘IV’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 13.

‘V’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 14.

‘VI’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 15.

‘VII’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 16.

‘VIII’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 17–18.

‘IX’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 19–20.

‘X’.
At Raucous Purposeful. Talgarreg, Wales: Broken Sleep Press, [March] 2022: 21–23.

Sea Shells Told.
Sea Shells Told. Cambridge: Face Press, 2022.

Shade Furnace.
Shade Furnace. Cambridge: Critical Documents, 2021 [written July 2021, printed April 2022].

‘BESIDE  SEASONAL’.
Poetry Review, Vol. 112 No. 2 (Summer 2022; eds. Andre Bagoo and Richard Scott): 70–74.